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In the spirit of the bestselling classics DON'T LET THE PIGEON DRIVE THE BUS! and THE MONSTER AT THE END OF THIS BOOK comes a riotously funny, interactive picture book from a hot new team.
"Excuse me, but who do you think you are, opening this book when the cover clearly says, DO NOT OPEN THIS BOOK? The reason you weren't supposed to open this book is because it is not yet written!...You think it's easy to put words together? Hah! Now go away--I need time to think."
So begins Pig's valiant attempt to pen his masterpiece. But he is constantly interrupted by the reader who is seduced at every turn into foiling his efforts ("please go away" "please do not turn the page")--until at last we reach the final page & discover that together, Pig & the reader have indeed created a book.
- Sales Rank: #99201 in Books
- Brand: Scholastic Press
- Model: FBA-|289279
- Published on: 2006-03-01
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.50" w x .75" l, 1.03 pounds
- Binding: Hardcover
- 40 pages
From School Library Journal
Kindergarten-Grade 4-After admonishing youngsters for ignoring the volume's title, a peevish pig explains that the book is not yet written, indicating a blank page and a hodgepodge of words printed on rectangle banners. Using numerous exclamation points, the author repeatedly-and rudely-tells everyone to get lost so that he can get to work. Eventually realizing that the spectators won't budge, the pig demands silence, climbs a ladder, and carefully glues and nails words to the wall, forming the beginning of a story. Unfortunately, the next page-turn blows the words around and when they settle down, they now describe a ferocious mouse that appears on the scene. And so it goes, until the exasperated porker pens an insulting tale about a giant pest, telling readers to say their names whenever there's a blank in the narrative. Then the pig declares the book completed, heads to bed, and dreams about literary accolades. The loose-lined, messy-looking cartoons in glossy, bold colors suit the text's truculent tone. Comical details include boxes of words (labeled verbs, animals, etc.) and a spider and fly that assist and poke fun at their friend. Although the story is a bit monotone and the humor stretches thin, this offering might make a lighthearted starting point for discussions of creativity and the writing process.-Joy Fleishhacker, School Library Journal
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
K-Gr. 3. In this playful send-up of the writing process, the illusion of trespassing boundaries is a big part of the fun. Recriminations ("Are you always so rude?") begin on the endpapers and continue as children penetrate deeper into what a pig character identifies as his own, in-progress book. Turning the pages appears to wreak havoc on the narrative within, as words shake loose; form new, unintended sentences; and enrage the frustrated auteur--until he discovers that the unwanted intrusions have, in the circular fashion so beloved of postmodernism, created the very story he had struggled to produce. Along with hand lettering Muntean's text, LeMaitre contributes bright, comics-style pictures that clarify the occasionally dizzying concepts (the words of the story-within-the-story, for instance, are represented on individual placards, making the constant reconfigurations easy to follow). Similarities to titles such as James Stevenson's Don't Make Me Laugh (2003) are obvious, but children will be no less enraptured by the irreverent, interactive premise and will emerge with a fresh understanding of the powerful qualities of words. Jennifer Mattson
Copyright � American Library Association. All rights reserved
Review
PW 1/9/06 Starred
Reverse psychology drives this voice-bubble monologue, whose curmudgeonly narrator-a pink pig in a purple stocking cap-implores readersnot to turn the pages. He appears on the inside flap, sniping, "Excuse me, but did you read the front cover of this book- Are you always so rude-" Next, readers interrupt him in his woodshop, where ladders, pylons and boxes of "dangerous words" and "nouns" suggest a work in progress. "The reason you weren't supposed to open this book is because it is not yet written," he frowns, as disorganized scraps flutter about, each labeled with a single word like instant-poetry refrigerator magnets. The pig sneakily gets revenge by wondering, "What's your name-" and begging for participation in a fill-in-the-blanks rubric ("There once was a giant pest named _____.... It did not matter how many times _____ was asked togo away , _____ would not go"). Muntean makes sure he protests too much, daring readers to press their luck, and Lemaitre (the Who's Got Game- series) provides the author with tiny sidekicks-a round brown spider and violet-blue fly-who mimic his gestures and imply that he's harmless. Like Mo Willems's Pigeon books, this makes an excellent read-aloud, with abundant opportunities for hammy acting. Ages 4-8.(Mar.)
Kirkus
A determined pig scolds readers for interfering with the creative process as he labors to write a story. "You think it's easy to put words together? Hah! Now go away! I need time to think," he grouses from an upside-down yoga position. As readers persist in turning the pages, he gets crosser and crosser, finally writing a story about a giant pest and inviting readers to fill in the blanks with their own names. Lemaitre's illustrations set a cartoony pig in an implied workshop filled with boxes of adverbs, nouns and "salty words," among others. As a picture of the imagination at work, it's a busy one, glue pots and rakes sharing space with bulldozers, as the author needs them. As a conceit, however, it strains somewhat to maintain interest over the course of 32 pages, Muntean's pig's sudden reconciliation to the reader-turned-character a little abrupt and inconsistent with the appealing grouchiness that's gone before. There are other stories about writing and reading stories—Allan Ahlberg's Half a Pig (2004) and James Stevenson's No Laughing, No Smiling, No Giggling (2004) come to mind—that have a little more substance to sustain the fun. (Picture book. 5-9)
Booklist
K–Gr. 3. In this playful send-up of the writing process, the illusion of trespassing boundaries is a big part of the fun. Recriminations (“Are you always so rude?”) begin on the endpapers and continue as children penetrate deeper into what a pig character identifies as his own, in-progress book. Turning the pages appears to wreak havoc on the narrative within, as words shake loose; form new, unintended sentences; and enrage the frustrated auteur–until he discovers that the unwanted intrusions have, in the circular fashion so beloved of postmodernism, created the very story he had struggled to produce. Along with hand lettering Muntean's text, LeMaitre contributes bright, comics-style pictures that clarify the occasionally dizzying concepts (the words of the story-within-the-story, for instance, are represented on individual placards, making the constant reconfigurations easy to follow). Similarities to titles such as James Stevenson's Don't Make Me Laugh (2003) are obvious, but children will be no less enraptured by the irreverent, interactive premise and will emerge with a fresh understanding of the powerful (sometimes wayward) qualities of words. –Jennifer Mattson
BCCB
Like Mo Willems' Don't Let the Pigeon Drive the Bus (BCCB 5/03), this title hinges on a prohibition, but there's a twist to this one: if you obey it, you miss the story. The book is primed for likely disobedience, however, and it reproves the refract
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By judy moore
Very good book for children
11 of 11 people found the following review helpful.
Wonderful book!
By Armchair Interviews
Pig is about to write a book and has everything ready in his workshop. However, he is rudely interrupted by the reader and can't continue creating the story with the presence of a nuisance who simply won't leave him alone. So the pig decides to include the disturber in the story and try to get the book written anyway.
What comes out of the collaboration is a fun and entertaining book. It teaches you how the words work and what happens when you are not careful with them. The illustrations complete the story and make you laugh all the way to the end.
What I really liked about the book was the simplicity and originality of the idea. Now that you have opened the book, when you clearly were told not to, you are in for some big family laughs. My daughter and I really enjoyed this book.
Armchair Interviews says a great book for children of all ages--if they can learn to use words more effectively
7 of 7 people found the following review helpful.
Quite amusing.
By Robert Beveridge
Michaela Muntean, Do Not Open This Book! (Scholastic, 2006)
A cute little book, this is, that not only gives youngsters a picture of the writing process (and some of its more cantankerous denizens), but also carries a subtext about the care with which a person should choose words-- a lesson which the next generation will be in dire need of learning, given how the generation above it seems completely incapable of same.
Our protagonist here is a pig who's trying to write a book, but his audience keeps messing things up by turning the pages. It's possible that very young children may get bored-- this is very much a one-trick pony-- but the story is sufficiently short that that shouldn't happen. And there is a great deal for kids to think about here, and for parents to talk to kids about after they've had a chance to ponder. A fun book with which to explore options with your budding writer. *** �
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