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Sunday, December 29, 2013

[L838.Ebook] PDF Download The Official GameSalad Guide to Game Development (Explore Our New Media Arts & Design 1st Eds.), by GameSalad, Jeannie Novak

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THE OFFICIAL GAMESALAD GUIDE TO GAME DEVELOPMENT teaches readers how to make their own games with the simple, powerful, drag-and-drop GameSalad Creator software. Using techniques based on key game development concepts, current trends, and established best practices, readers will be able to use GameSalad Creator from concept to prototype--and beyond. The text's wide-ranging coverage encompasses desktop, mobile, online, social, and serious games--as well as key platforms such as iOS, Android, Mac, Windows, and HTML 5. This reader-friendly, highly visual guide is equally suited for formal game development courses and self-paced learning--with a balance of depth and detail that is ideal for both professionals and those working on their first game. Basic tutorials and terminology are available in the book's Appendix. GameSalad has also provided manuals, templates, and a Cookbook containing video tutorials at http://gamesalad.com/manuals and http://cookbook.gamesalad.com.

Sales Rank: #1127864 in Books
Brand: Brand: Cengage Learning
Published on: 2013-04-11
Original language: English
Number of items: 1
Dimensions: 10.00" h x 8.00" w x .50" l, 1.35 pounds
Binding: Paperback
256 pages

Features

Used Book in Good Condition

Review
PART I. 1. Gameplay. 2. Interface Design. 3. Prototyping. PART II. 4. Windows(R) Game Development. 5. Mac(R) Game Development. 6. Mobile Game Development (iOS/Android(TM)). 7. Online Game Development (HTML 5). PART III. 8. Social Game Development. 9. Serious Game Development.

About the Author
GameSalad is an online community that empowers everyone to express and share their ideas through games. The company was founded on the belief that all people should have the tools to make popular games--limited only by the boundaries of their imaginations. GameSalad provides a platform used by creators to rapidly design, publish, and distribute original games that have been played by millions of people worldwide. GameSalad is a privately held, venture-backed company headquartered in San Francisco, CA--with studios in Austin, Texas and Los Angeles, California.

Jeannie Novak is the lead author and series editor of the widely acclaimed GAME DEVELOPMENT ESSENTIALS series (with over 15 published titles), co-author of PLAY THE GAME: THE PARENT'S GUIDE TO VIDEO GAMES, and co-author of three pioneering books on the interactive entertainment industry--including CREATING INTERNET ENTERTAINMENT. She is also co-founder of Novy Unlimited and CEO of Kaleidospace, LLC (dbaIndiespace), providing curriculum development and consulting services for corporations, educators, and creative professionals in games, music, film, education, and technology.Novak served as director of the Game Art & Design and Media Arts & Animation programs at the Art Institute Online and has taught game courses at UCLA, Art Center College of Design, DeVry University, Westwood College, ITT Technical Institute, and the Academy of Entertainment & Technology at Santa Monica College. She holds a B.A. in mass communication/business administration from UCLA and an M.A. in communication management from the Annenberg School at USC. She also serves on the Online Gameplay Committee for the Academy of Interactive Arts &Sciences and has served on the executive boards of the International Game Developers Association (Los Angeles) and Women in Games International. An accomplished composer and performer, Novak was chosen as one of the 100 most influential people in technology by MicroTimesmagazine and has been profiled by CNN, Billboard Magazine, the Sundance Channel, Daily Variety, and the Los Angeles Times.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Disappointed. Misleading title.
By 12barunR
While I agree GameSalad itself is not entirely complicated, this book offers very, very little about developing with GS. I found the information it contains about game development good in general -- which is basically the whole book -- but I feel I wasted a good amount of money in hopes of learning the GS environment in more detail. The title is very misleading. I would not recommend this book to anyone looking to learn the application.

6 of 7 people found the following review helpful.
Great for all types of gamemakers
By GamerDad
We've had GameSalad on our Mac for over a year, and although I love games and consider myself pretty technical, I'm DEFINITELY not a game designer. My kids have spent a lot of time making various games and have taught me a lot about how to use the program and experiment with different behaviors. But they don't know a whole lot about what makes a game fun or interesting. They love making smaller games though but we didn't have a good way to elevate to the next level.

This book is exactly what they needed to learn about different types of games, styles and tricks in creating mechanics, and guided exercises in trying out what they're being taught. For me, the old gamer (Pong anyone?), I get the concepts immediately, and the exercises show me a step-by-step guide to putting together a real example of that concept.

This book is not a pure technical manual, and I can understand the need of that for some people. But for someone like me who loves games and has a lot of reference to what's been fun, it's perfect because I can understand how to convert those fun ideas into something real. And my kids, who 'get' GameSalad already, it's giving them a larger frame to play with and build on.

We're all talking now about what we could design and build together as a bigger game and maybe even release (everything they've done so far has been kept to our own computer). There's even sections on releasing and marketing. Even if we don't get that far, I think we're going to have some great new home built games to build and play with.

6 of 8 people found the following review helpful.
Covers the stuff you can't find on You Tube
By Stephenl33t
I started trying to build games with Game Salad for the Mac a couple of years ago because it doesn't need me to do any real programming. I mean, I have to think about how to make things go and in what order they go in, and there's some math involved, but most of the time I can just TELL the program "Move the box to THIS point" rather than having to write it all in a script (which is good because I only just started learning programming at school and we are still doing basic stuff, not game stuff).

There are a couple of other GameSalad books out there, but they either just give instructions on how to make just one kind of game (which doesn't help me so much because the games I want to make are different than the one kind they show) or they are just for mobile phones and stuff, but I want to put my games online like at Kongregate or BubbleBox or some place where my friends can play it.

I can find lots of stuff online already for GameSalad. Stuff like how to make a button or how to make a tree blow up when you shoot it with a laser (in a game of course, everybody knows trees don't "blow up" in real life). What I can't find out online is the "why" you do things this way or that way.

My teacher says that the "why" stuff is what you usually get from taking a class or working with a teacher. This book has helped me a lot with the "why" stuff for GameSalad and for making games. I'm giving it 5 stars because it's helping me learn to build a better game, and it covers the reasons designers choose to do things rather than just being a list of instructions.

See all 22 customer reviews...

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[F921.Ebook] Download History of Italian Renaissance Art, 7th Edition, by Frederick Hartt, David Wilkins

Download History of Italian Renaissance Art, 7th Edition, by Frederick Hartt, David Wilkins

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History of Italian Renaissance Art, 7th Edition, by Frederick Hartt, David Wilkins

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For survey courses in Italian Renaissance art.

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A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working.

�

History of Italian Renaissance Art, Seventh Edition, brings you an updated understanding of this pivotal period as it incorporates new research and current art historical thinking, while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins' incisive revisions keep the book fresh and up-to-date.

Sales Rank: #222952 in Books
Published on: 2010-01-13
Original language: English
Number of items: 1
Dimensions: 11.40" h x 1.50" w x 8.50" l, 4.96 pounds
Binding: Paperback
736 pages

From the Back Cover
For survey courses in Italian Renaissance art. "A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working." "History of Italian Renaissance Art," Seventh Edition, brings you an updated understanding of this pivotal period as it incorporates new research and current art historical thinking, while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins' incisive revisions keep the book fresh and up-to-date.

About the Author

The late Frederick Hartt was one of the most distinguished art historians of the twentieth century. A student of Berenson, Schapiro, and Friedlaender, he taught for more than fifty years, influencing generations of Renaissance scholars. At the time of his death he was Paul Goodloe McIntire Professor Emeritus of the History of Art at the University of Virginia. He was a Knight of the Crown of Italy, a Knight Officer of the Order of Merit of the Italian Republic, an honorary citizen of Florence, and an honorary member of the Academy of the Arts of Design, Florence, a society whose charter members included Michelangelo and the Grand Duke Cosimo I de' Medici.

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Hartt authored, among other works, Florentine Art under Fire (1949); Botticelli (1952); Giulio Romano (1958); Love in Baroque Art (1964); The Chapel of the Cardinal of Portugal (1964); three volumes on the painting, sculpture, and drawings of Michelangelo (1964, 1969, 1971); Donatello, Prophet of Modern Vision (1974); Michelangelo's Three Piet�s (1975); and the monumental Art: A History o f Painting, Sculpture, Architecture, now in its fourth edition (1993).

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David G . Wilkins is professor emeritus of the history of art and architecture at the University of Pittsburgh and former chair of the department. He has also served on the faculties of the University of Michigan in Florence and the Semester at Sea Program. He is author of Donatello (1984, with Bonnie A. Bennett); Maso di Banco: A Florentine Artist of the Early Trecento (1985); The Illustrated Bartsch: "Pre-Rembrandt Etchers," vol. 53 (1985, with Kahren Arbitman); A History o f the Duquesne Club (1989, with Mark Brown and Lu Donnelly); Art Past/Art Present, a broad survey of the history of art (fifth edition, 2005, with Bernard Schultz and Katheryn M. Linduff); and The Art of the Duquesne Club (2001). He was the revising author for the fourth and fifth editions of History of Italian Renaissance Art: Painting, Sculpture, and Architecture (1994, 2003) and co-editor of The Search for a Patron in the Middle Ages and the Renaissance (1996, with Rebecca L. Wilkins) and Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy (2001 with Sheryl E. Reiss). He was editor of The Collins Big Book of Art (2005).� In 2005 he also received the College Art Association’s national award for Distinguished Teaching in Art History.

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When Frederick Hartt's History o f Italian Renaissance Art was first published, more than thirty years ago, it was an epoch-making achievement. This large volume with its dozens of color plates presented for the reader the story of Italian Renaissance art as it was loved, appreciated, and understood by one of the great scholars of the period. Before his death in 1991, Frederick Hartt was able to revise the book for two later editions. In 1994 a fourth edition offered minor revisions to Hartt's text and illustrations in the light of new discoveries and the restoration of the Sistine Chapel and other works. Now, at the beginning of the twenty-first century, this new edition has been undertaken to update and enhance Hartt's original vision. I think he would have been especially pleased with our ability to offer color illustrations throughout the book, uniting the images with the text in a manner not possible before.

As I set about updating Hartt's vision, my intent was to maintain the integrity of the story that he had first told so enthusiastically many years ago. The organization of the text as he planned it has been retained, and many of the works illustrated are the same. The new works added here were chosen to expand and enhance Hartt's original vision.

The history of Italian Renaissance art is a vast and complex subject that could be told in a number of ways. Frederick Harrt's view was a traditional one that had its roots in the first history of Renaissance art, written by Giorgio Vasari in the sixteenth century. Like Vasari, Hartt emphasized the art that was created in Florence, Rome, Siena, and Venice. While art historians have discovered much that is interesting and important in the art created in Naples, Milan, Ferrara, and other centers during the Renaissance, to include this material in extensive detail would have detracted from Hartt's thesis that Renaissance art evolved in Florence and had its most fulfilling later development in Rome, Siena, and Venice. His belief that each of these cities evolved a unique style was the basis for his organization; as such, chapters were devoted to the developments in each center. Such an approach remains appropriate, for the story of each city's art has an internal integrity that is based on its own independent political and social structure and development.

Hartt's model, Vasari's Lives of the Artists, was based on an interest in understanding each artist as a creative individual. While such a biographical and focused approach is still rewarding, it means that each artist is isolated and discussed independently. This organization provides readers with a strong sense of the personality and artistic development of each individual, while at the same time requiring that they re-create the original, overlapping chronology of events and works.

While choosing to maintain Harrt's traditional framework, I have at the same time introduced a number of changes. Illustrations have been deleted to make way for other works that enrich our understanding of the diversity of the period. While Hartt emphasized religious art, I have added a number of secular works. Also new is a series of portraits of significant patrons and personalities of the period. Extracts from Renaissance texts have been added to enhance the historical context. The emphasis throughout, however, remains as Hartt envisioned it—on the work of art and on the individual creator rather than on the broader social and historical context within which these works were created.

One of Harrt's goals was to help the reader see the works of art as he saw them through the use of evocative and poetic language. As an example of his descriptive powers, note how quickly he captured the effect of Parmigianino's Vision of St. Jerome (see fig. 18.54): "In the darkness that veils any possibility of establishing spatial relationships, rays of light flash from the Madonna's head and shoulders like shards of ice." Again and again his words send the reader back for another, closer look at the work of art.

My own love for this period was established when I first visited Florence in 1963 in preparation for a position at the University of New Hampshire. Although at the time I thought of myself as a medievalist in training, my job required that I teach a full semester course on Italian Renaissance art. As a result I devoted extra time to Italy and Renaissance art; when I left Florence that summer, I knew that I would be going back. I owe a special debt to all my teachers at the University of Michigan: Ludovico Borgo, Eleanor Collins, Marvin Eisenberg, Ilene Forsyth, Oleg Grabar, Victor Meisel, Clifton Olds, James Snyder, Harold Wethey, and Nathan Whitman.

In preparing this edition I want to thank a number of individuals for their assistance, including my family—Ann Thomas Wilkins, Rebecca Wilkins, Katherine Wilkins, Chris Colborn, Tyler Jennings—and past and present students and colleagues at the University of Pittsburgh—Bonnie Apgar Bennett, Maria Carolina Carrasco, Jennifer Craven, Roger Crum, Holly Ginchereau, Ann Sutherland Harris, Ray Anne Lockard, Sarah Cameron Loyd, Erin Marr, Stacey Mitchell, Elizabeth Prince, Azar Rejaie, David Rigo, Jane Vadnal, and Jim Wilkinson. I profited, as always, from the thoughtful and enthusiastic assistance of the excellent staff at Harry N. Abrams, Inc., including Julia Moore, head of the textbooks division, my editor and project manager for this revision, Cynthia Henthorn, and Julia Chmaj, Holly Jennings, and Sabine Rogers for editorial; John Crowley for picture research; and former publisher Mark Magowan for his inspired support. Much appreciation also goes to Diana Gongora, Alia Mansoori, Doria Romero, and David Savage for picture research and permissions; John McKenna for illustration; Adrian Kitzinger for map design; and the staff of BTD, Inc., Beth Tondreau, Erica Harrison, Lorie Pagnozzi, and Mia Risberg for design. My hearty thanks to all. Errors and omissions are, as always, my responsibility alone.

DAVID G. WILKINS
Silver Lake, New Hampshire, December 2001

Most helpful customer reviews

66 of 68 people found the following review helpful.
Simply One Of The Best Books Ever!
By David A. Plouffe
I don't give 5-star ratings very often. I reserve them for only the best, and this is indeed the best book on the Italian Renaissance. I received both my BA and MA in Art History and this was the text used for my Renaissance classes. The book does not read as a textbook for those looking for leisure reading. It reads like a novel and is written in easy to understand language. Chapters are broken down by time period. There are a TON of pictures! I would say 50% of the book is pictures and 95% of those are in color. There are a few B&W pictures but they are of rather obscure sculptures or paintings.

The book was originally written by Frederick Harrt who was one of the 'Monument Men' in World War II who went around Italy documenting art, missing, damaged, or otherwise. He has passed away, but David Wilkins has kept up on the new editions with the current scholarship being done in Renaissance Art. Whether you get this as a textbook for a class, or leisure reading, a coffee table book perhaps, or even a Christmas book for a hard-to-buy-for relative, it is well worth the money.

30 of 30 people found the following review helpful.
135 of 981 illustrations in color in 4th ed., 50 % in 5th, & all needed in 6th
By Eugene Tenenbaum Reluctant Reader
Everything that should be in color is only in the 6th edition with 736 pages. Approx. 50 % of the illustrations in the 5th edition (768 pp.) is black and white including a few important paintings what disappoints a bit. Accurately illustrating the visual arts when presenting or analyzing is essential. But fewer than 14 % of all illustrations is in color in the 4th edition (ISBN: 0133933806). Otherwise, it is exquisite including its beautiful printing and binding. All the illustrations occupy approx. a half of the 696 pages, but the text is what counts. Maps of the centers of Rome, Florence and Venice on the inside of the front cover and on the flyleaf show many important landmarks, but architecture appears to be a bit underrepresented.

CONTENTS (4th/5th/6th ed.)
Prefaces and Forewords p. 6 (4th/5th) / Preface p. 9 + Foreword p. 10 (6th)
A PORTFOLIO OF THE ITALIAN RENAISSANCE p. 9/10 (4th/5th/absent)
PRELUDE + 1. Italy and Italian Art p. 32 (absent/5th) / 1. Prelude: Italy and Italian Art p. 17 (6th)
PART ONE: THE LATE MIDDLE AGES
1. Italy and Italian Art p. 27 (4th/absent/absent)
2. Duecento Art in Tuscany and Rome p. 43/58/39
3. Florentine Art of the Early Trecento 76/92/73
4. Sienese Art of the Early Trecento 104/124/103
5. Later Gothic Art in Tuscany and Northern Italy 133/154/137
PART TWO: THE QUATTROCENTO
6. The Beginnings of Renaissance Architecture 152/180/159
7. Gothic and Renaissance in Tuscan Sculpture 167/198/177
8. Gothic and Renaissance in Florentine Painting 187/222/201
9. The Heritage of Masaccio and the Second Renaissance Style 213/244/221
10. The Second Renaissance Style in Architecture and Sculpture 229/264/239
11. Absolute and Perfect Painting: The Second Renaissance Style 252/292/265
12. Crisis and Crosscurrents 290/328/299
13. Science, Poetry, and Prose 317/358/325
14. The Renaissance in Central Italy 350/398/365
15. Gothic and Renaissance in Venice and Northern Italy 378/424/391
PART THREE: THE CINQUECENTO
16. The High Renaissance in Florence 430/476/445
17. The High Renaissance in Rome 479/524/493
18. High Renaissance and Mannerism 535/580/549
19. High and Late Renaissance in Venice and on the Mainland 582/630/599
20. Michelangelo and the Maniera 631/690/648
Glossary 662/724/692
Bibliography 669/732/700
Index 678/746/715
Credits 696/766 (4th/5th) / Photo Credits 735 + Literary Credits 736 (6th)

CONTENTS (7th ed.)
Preface 9
Foreword 10
Ch. 1 PRELUDE: ITALY AND ITALIAN ART 16
PART ONE: THE LATE MIDDLE AGES
Ch. 2 DUECENTO ART IN TUSCANY AND ROME 40
Ch. 3 FLORENTINE ART OF THE EARLY TRECENTO 72
Ch. 4 SIENESE ART OF THE EARLY TRECENTO 102
Ch. 5 LATER GOTHIC ART IN TUSCANY AND NORTHERN ITALY 136
PART TWO: THE QUATTROCENTO
Ch. 6 THE RENAISSANCE BEGINS: ARCHITECTURE 158
Ch. 7 TRANSITIONS IN TUSCAN SCULPTURE 180
Ch. 8 TRANSITIONS IN FLORENTINE PAINTING 202
Ch. 9 THE HERITAGE OF MASACCIO: FRA ANGELICO AND FRA FILIPPO LIPPI 222
Ch. 10 FLORENTINE ARCHITECTURE AND SCULPTURE, c. 1430--1455 238
Ch. 11 FLORENTINE PAINTING AT MID-CENTURY 262
Ch. 12 ART IN FLORENCE UNDER THE MEDICI I 294
Ch. 13 ART IN FLORENCE UNDER THE MEDICI II 318
Ch. 14 THE RENAISSANCE IN CENTRAL ITALY 358
Ch. 15 GOTHIC AND RENAISSANCE IN VENICE AND NORTHERN ITALY 388
PART THREE: THE CINQUECENTO
Ch. 16 THE ORIGINS OF THE HIGH RENAISSANCE 442
Ch. 17 THE HIGH RENAISSANCE IN ROME 486
Ch. 18 NEW DEVELOPMENTS c. 1520--50 542
Ch. 19 HIGH AND LATE RENAISSANCE IN VENICE AND ON THE MAINLAND 590
Ch. 20 THE LATE SIXTEENTH CENTURY 648
Glossary 692
Bibliography 700
Locating Works of Renaissance Art 715
Index 716
Photo Credits 735
Literary Credits 736

22 of 24 people found the following review helpful.
Complete Reference for Italian Renaissance Art
By Linda
This a beautiful book. It is complete and definitive for reference to Italian Renaissance Art. The photographs are clear and the information is concise. I used this for my graduate Italian art history class. I am keeping this book and will not be selling it back!

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Thursday, December 26, 2013

[K623.Ebook] Get Free Ebook Moral Issues in Business, by William H. Shaw, Vincent Barry

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MORAL ISSUES IN BUSINESS, 13E examines the moral dilemmas that are common to today's business climate and gives readers the analytical tools to resolve those issues. Using a combination of true stories, interesting reading selections, and a conversational writing style, this edition prepares readers for the moral quandaries awaiting them in the professional world. Featured topics include: the nature of morality, individual integrity and responsibility, economic justice, pitfalls of capitalism, and corporations' responsibilities to consumers and the environment. Plus, this edition also discusses situation-specific concepts such as downsizing, whistle blowing, sexual harassment, job discrimination, animal abuse, and drug testing.

Sales Rank: #21394 in Books
Published on: 2015-01-01
Original language: English
Number of items: 1
Dimensions: 10.00" h x 8.00" w x 1.00" l, .0 pounds
Binding: Paperback
656 pages

Review
"Business ethics textbooks tend to either be too business oriented without enough reflection, or too reflective without practical relevance. This book gets the balance right, and does it consistently throughout each of the chapters. I like it because all the material seems relevant and of interest to me personally."

"MORAL ISSUES IN BUSINESS is an introductory text in business ethics written in a clear and engaging style for an undergraduate audience. After surveying basic issues in normative ethics and American business, the text focuses on key ethical issues faced by consumers, employees, and employers in manner that encourages open debate and critical reflection."

About the Author
The author and editor of numerous books and articles in the areas of ethics and social and political philosophy, William H. Shaw obtained a Ph.D. in political philosophy from the London School of Economics and teaches philosophy at San Jose State University, where he served as chair of the department for eleven years. He has also been a visiting professor at the University of Zimbabwe, the University of Hong Kong, and the U.S. Naval Academy in Annapolis, Maryland. He has two other books with Cengage Learning, SOCIAL AND PERSONAL ETHICS and MORAL ISSUES IN BUSINESS (with Vincent Barry).

Vincent Barry is Professor of Philosophy Emeritus at Bakersfield College, having taught there for thirty-four years as well as being a highly successful philosophy textbook author.

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0 of 0 people found the following review helpful.
Great Reading!
By Alex
This book was a requirement for my Business Ethics course. I had a chance to read it all over, and really enjoyed all the concepts. Definitely recommended. However, it's not one of the books that I'd pick to read just for fun. It touches up on interesting ethical concepts, such as: pay inequality and cheap labor overseas, as well as covers the moral issues when it comes to the decision-making process. Each chapter has a few nice stories at the end, which could be looked at from different points of view. Great reading never the less.

0 of 0 people found the following review helpful.
Worse thing is
By Bee Lor
Rented the eBook for more than 5 months and 4 months later it says that my rental has expired. Worse thing is, there's no way to prove that I rented it for as long as I have. So I proceeded to rent it out again. But this time it was never sent to my device. and I paid for the rental. Worse ever

0 of 0 people found the following review helpful.
Great book, easy to read.
By Y. Jackson
This book was actually very easy to read.

All of the key words are bolded, and each chapter has lots of little summaries on the sides of the pages to help you understand the concepts.

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Wednesday, December 25, 2013

[H137.Ebook] Ebook Download Molecular Biotechnology: Principles and Applications, by B R Pasternak, J J Glick

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Published on: 1995
Binding: Paperback

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Sunday, December 22, 2013

[M632.Ebook] Free Ebook How to Land Your First Paralegal Job (5th Edition), by Andrea Wagner

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This book can help you develop the extra competitive edge it takes to get the job you want as a paralegal. Whether you are a student contemplating beginning your career as a paralegal, changing careers, or looking to move ahead in your current job, this book is a practical handbook designed to be used again and again. Completely updated in a new edition,� this book will provide you with the tools needed to get in the door with the best possible resume, give a great job interview, and secure the job offer!�This new edition features updated web listings, booklists, and more information on individual State certification. By following the job search techniques laid out in this book, you will be rewarded with a career that is satisfying and stimulating.

Sales Rank: #404382 in Books
Published on: 2008-01-26
Original language: English
Number of items: 1
Dimensions: 8.90" h x .70" w x 5.90" l, .71 pounds
Binding: Paperback
272 pages

From Library Journal
A practical, no-nonsense primer filled with "hot tips," checklists, and sample forms, this book offers a treasure chest of valuable advice on how to join the fast-growing paralegal profession. Differing from most other authors in the field, who concentrate on the knowledge and skills needed by a paralegal, Wagner assumes the reader is qualified for a legal assistant position, although she includes a short chapter on paralegal schools. Her focus is on how to find, interview for, and be hired for that position. Thus, she offers detailed reviews on "crafting winning resumes," writing strong cover letters, employing effective job search strategies, and "selling yourself" through the interview process. The list of "questions to ask the interviewer" and suggestions for answering difficult or inappropriate questions are especially helpful. Appendixes list paralegal schools and associations nationwide. Highly recommended for most public libraries.
- Frank G. Houdek, Southern Illinois Univ. Law Lib., Carbondale
Copyright 1992 Reed Business Information, Inc.

Review

". . . Very realistic assessment of whether paralegal education is a benefit clear, well-organized presentation .... The illustrations are terrific. The plans and charts are very helpful for students actively engaged in a job search . . . ." — Laura Barnard, Lakeland Community College

From the Inside Flap
Preface

The purpose of this handbook is to assist new paralegals in finding satisfying and fulfilling jobs. Whether you are a paralegal student beginning your career, a recent college graduate searching for a career, or a person changing careers, my goal is to give you that extra competitive edge to get the job you want in the paralegal market. You may use this book not only for this job search, but for all subsequent ones.

Because paralegal positions represent a relatively new profession, there is still a wide array of entr�es into the marketplace. During my almost twenty years as a legal assistant recruiter, placement director, and career counselor, I have placed all kinds of legal professionals with all types of backgrounds. I have placed people in the largest law firms in the nation and in one-lawyer firms that had never employed a paralegal before. I know which approaches work and which do not. I have seen the successes and the failures. Over the years I have developed a keen awareness of how successful job searches work and what law firms and corporate employers of paralegals look for in successful applicants—from what kinds of r�sum�s and cover letters work to how to conduct yourself successfully in an interview.

This book is designed to share what I know. It is designed to be a practical handbook to be used again and again. In it you will find step-by-step procedures to follow when you look for a job. Included are samples of cover letters, resumes, and interview questions as well as a suggested reading list and employment reference sources and an entire section devoted to the Internet.

I have also included convenient checklists for your use with each subsequent job hunt. Special Hot Tip sections will give you insider information about the marketplace. You will find these sections very helpful. Best of luck in your job hunting. You are entering the most dynamic and fastest-growing profession in the nation!

Most helpful customer reviews

25 of 27 people found the following review helpful.
The Most Complete Paralegal Job Search "How-to" Available
By Kindle Customer
Andrea Wagner tells you everything you need to know to get your first paralegal job. Everything. This honest and to-the-point book offers examples of everything you'll need for your job search and detailed information about how to use each piece of paper and each opportunity. The practical advice on where to look for jobs, who to talk to when you find them and how to dress for the big day are critical. The list of probable interview questions along with potential responses to difficult or inappropriate questions will give you confidence, and the advice on how to negotiate better compensation will enable you to get what you're worth. Wagner also provides an impressive list of legal buzzwords that will help you sound like an old-timer once you are on the job. If you're serious about getting your first paralegal job, do yourself a favor. Buy this book.

0 of 0 people found the following review helpful.
Some helpful info
By georgianna
Decent book. Some of the information is very general and/or outdated. However, I did find some of the information helpful.

0 of 0 people found the following review helpful.
Highly recommend! Awesome book!
By bluefish
This is, by far, the best book I've read on professional etiquette specified for a certain field. I found it TREMENDOUSLY useful, and I highly recommend it!

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Friday, December 20, 2013

[F578.Ebook] Ebook Download Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

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Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

"Beautifully produced. . . . [Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding."—Virginia Quarterly Review

"An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement."—Gary Michael, Bloomsbury Review

"An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians."—Wayne Andersen, Common Knowledge

"Art history of the highest originality and distinction."—Arthur C. Danto, New York Times Book Review

Sales Rank: #1413641 in Books
Published on: 1998-11-15
Original language: English
Number of items: 1
Dimensions: 10.00" h x 1.20" w x 7.00" l, 2.89 pounds
Binding: Paperback
676 pages

Amazon.com Review
Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review
... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

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19 of 23 people found the following review helpful.
Returning to the Cardinal Manet Resource: An Appreciation
By Grady Harp
Michael Fried published his magnum opus 'Manet's Modernism: or, The Face of Painting in the 1860s' in 1996, the compendium of three books, actually, that remain the most significant resource of the study of the much maligned painter Edouard Manet. In Manet's time he was essentially hidden in the rise of the more popular Impressionists, garnering criticism form his colleagues and critics alike for works that appeared to mannered, too posed, to unnaturally lighted. But fine author and historian Michael Fried introduces some new ideas about the painter that could just place him in the echelon of the first of the Modernists.

Fried 'suggests' that Manet's paintings were for the most part tableaus created in his studio from professional and non-professional models wearing costumes suggestive of the many allegories and historical events that Manet painted. That fact, in and of itself, does not venture Manet much further thatn say, Caravaggio et al, but it is the interplay between the subjects and the painter (and hence the observer) that Fried alls to our attention. The lighting of his paintings seem to have its source from the front as opposed to the back lighting or streams of side lighting usually chosen by other painters. And to make the controversy even more interesting, Fried suggests that this studio technique coupled with various observances of his models' features (eg. barefeet that suggest having worn contemporary type shoes) may - and the important word is 'may' - represent the uses of photography as the tool Manet used! Horrors! you say? But then by the time of the painting period of the 1860s that Fried is exploring, photography was well known and fairly widely used as a means of documenting history, battles, families etc. So why should an artist of Manet's importance not include this new tool in his painting paraphernalia?

It is an interesting concept and one that in today's widely used techniques among artists of not only using photographs to reference 'sittings' for later solo studio work but also to include photography in the canvases (witness Rauschenberg, etc) makes complete sense. Gone are the prejudices against photography as not being 'pure'. And it just may be that Manet, if he indeed used photographs in his painting preparation, is more important in the overall history of painting advancement than he has been regarded! A fascinating book (even at 676 pages) and a fine addition to the library. Grady Harp, January 07

5 of 5 people found the following review helpful.
History versus Criticism
By Conrad J. Obregon
It has been said that images of Edouard Manet marked the beginning of modern painting. The great art critic and art historian Michael Fried explores the work of Manet and several contemporaries.

The book opens with the republication of an earlier article by Fried in which he suggested that the sources of many of Manet's important works were in the art of earlier times and cultures and has a second chapter aimed at refuting the arguments against his thesis by other critics and historians. Fried concludes that Manet was trying to create some kind of universal art. To do so he refers to earlier pictures by artists from Rembrandt to Watteau which he maintains show the connections and derivations. In most case the similarity was usually as to the posing of certain figures in both Manet's and the earlier works. While quite interesting, I was unconvinced since there was no evidence directly from Manet of his intentions. Moreover, it seemed to me that if one looked enough through the bodies of works of the earlier artists, one would be bound to find similar poses.

In the third chapter, the author addresses many of Manet's contemporaries, including Millet, Fantin-Latour, Legros and Whistler. In this examination, Fried pays particular attention to a concern he has previously addressed, namely the opposition between absorption and theatricality. (To oversimplify, in images characterized by absorption, the subject appears not to be aware of his subjectness, while theatricality shows an awareness of the viewer.) In exploring the issue, Fried discusses the reactions of art critics of the time to the work of the artists, particularly their appraisal of the value of the images based upon their place on the absorption/theatricality continuum. The fourth chapter deals in the same way with Manet.

The fifth chapter is a strange one that deals primarily with self-portraits and the effect of the artist viewing himself in a mirror. There is a coda appended in which Fried summarizes what has gone before, and concludes that he is unable to have any final word on what Manet's goals were with respect to absorption and theatricality. There are several appendices in French and English with the comments of critics of the time and 168 pages of notes.

Fried is both a critic and historian, and this book illustrates the distinction. He is concerned about the history of the art without drawing conclusions as to the quality of the work of the artists, and other than describing technique, gives us little clue as to how to appreciate the works. Indeed, I sometimes felt that he didn't particularly care for the work of Manet and his contemporaries. For those who believe that art is a way to understand the culture and times in which the art is created this book will be interesting. On the other hand those who believe that the purpose of art is to transform our vision of the world will find less help in using Manet as an agent of transformation.

0 of 1 people found the following review helpful.
If you want to understand the claim that, in ...
By Gordon G. Young
If you want to understand the claim that, in some senses, Manet was the first modernist painter, you must read this book. Note: it is complex, but well worth it.

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Sunday, December 8, 2013

[Z760.Ebook] Ebook Understanding Other People: The Five Secrets to Human Behavior, by Beverly D. Flaxington

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Understanding Other People: The Five Secrets to Human Behavior, by Beverly D. Flaxington

Ebook Understanding Other People: The Five Secrets to Human Behavior, by Beverly D. Flaxington

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Find out why book reviewers have said: "Everyone on planet earth should get this book."

Listen, and you will find the tips and insights you need to:

Understand what people are really saying when they talk to you;
Deal effectively with difficult people in your life;
Come across confidently in interviews;
Lead high performing teams;
Work effectively with almost anyone;
Take charge of your own actions and reactions; and
Finally, understand other people!

Winner of the gold award by Readers Favorite for best book on relationships.

Sales Rank: #47156 in Audible
Published on: 2012-06-23
Format: Unabridged
Original language: English
Running time: 173 minutes

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103 of 108 people found the following review helpful.
Concise Useful Principles High on Content
By Tom D
Understanding Other People is well titled; a useful, earthy and concise book, especially for someone who hasn't been through one of the "Leadership" seminars. I finally settled on four stars for the merits of the book with one star off for the "demerits." Flaxington is succinct and largely descriptive. The use of the term "secrets" in the subtitle is good marketing, everyone wants to know "secrets."

Flaxington's premises are basically that you're going to get along easily with some people, with others it may not be easy but if you understand what's going on you may be able to make it work, and in other cases you either live with the situation or move on, but you're not going to change it. Straightforward enough, and Flaxington's value added are principles, context and the real and rare strength of the book, a clear and honest assessment that you're not going to change other people. The first chapter is a good reminder to check our own perspectives, but unless you're reading this at someone else's suggestion, there's a good probability you're above average in self awareness.

The Chapter "Don't Assume I Know What You Mean" is valuable enough to justify reading the book. The tools and thoughts from that chapter are universally useful.

The two "demerit" areas, based upon my "filters," are the lack of context for DISC and not addressing personality disorders. The DISC behavior style assessment is one of many communication/personality/behavior/value diagnostics; Myers-Briggs may be the most widely recognized. It would be good to know, briefly, why the author believes DISC is a good choice relative to other alternatives. She does state that it is validated and proven. Flaxington fully discloses she is a franchisee of the DISC system and this comment is not a criticism of DISC. Second, and the reason I took off one star, none of this really applies if you're interacting with someone with a serious psychological problem, a narcissistic bully for example, not just a behavioral style preference. That's a huge topic in itself but it's necessary and worth at least a short chapter in a book titled Understanding Other People, especially since estimates suggest that a significant and increasing portion of the population exhibits serious personality disorder symptoms.

127 of 136 people found the following review helpful.
Is it time for a filter change?
By Monty Rainey
There are plenty of business books available out there to help us better understand the behavior of others. The problem I have found with most of them is that they are written from the perspective of the clinical psycologist, not from the persective of the business leader, rendering them of little or limited value. No so with UNDERSTANDING OTHER PEOPLE: THE FIVE SECRETS OF HUMAN BEHAVIOR, by Beverly Flaxington.

The book begins by examining the many built in filters we use to view the world. Our filters don't necessarily make us right or wrong, they simply determine our viewpoint. One person may be devastated by the death of Michael Jackson. The next person may view it as, "One less pedophile in the world." One person may view Barack Obama as the Messiah, the next person may view him as the anti-Christ. These are just the filters each person sees things with.

Flaxington teaches us that by being aware of our filters, we are more cognizant of the fact that we are not necessarily right or wrong, we're just us. This concept leads us to understanding the principle of "It's all about me." The author cogently explains this simple truth by asking the reader to consider a time when we went out of our way to help someone, supposedly out of our own goodness, only to be offended when the recipient failed to "according to our filters" properly thank us.

The book continues in subsequent chapters to explain how these filters create difficulties in relationships, work environments and every day life with those around us. The concept being, by more clearly understanding why we, and those we interact with, react the way we do, we will begin to find ways to work towards what Dr. Stephen Covey calls, "Win-win, or no deal" and "seek first to understand, then to be understood."

I will stop here as I don't wish to give away additional content. The book is a quick, easy read. It is very well written and you will find lessons with immediate applicability.

56 of 63 people found the following review helpful.
Everyone should read and own this book
By L. Tierney
This fabulous, concise, wisdom rich book is helping me to better understand myself in addition to others. The 5 secrets to understanding human behavior are revealed in a way that is easy to understand and incorporate into one's daily personal and professional life. I find these tools more natural to use than the other tools I am familiar with, including but not limited to Myers-Briggs, and Enneagram.

Using the Disc behavioral and core value tools, I have a clearer insight into human nature. `Don't assume I know what you mean' is one of the good personal reminders to place more context around my messages.

I intend to keep this book close to me until the 5 secrets have become a natural way of life for me, meanwhile I will pick up a few more copies for my friends. You should too!

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Saturday, December 7, 2013

[C948.Ebook] Free Ebook Manilow Talks, by Barry Manilow

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Sales Rank: #3851448 in Books
Binding: Audio CD

Features

AUDIOBOOK,
BIOGRAPHY,
AUTOBIOGRAPHY,
DIARY
CD

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[P108.Ebook] Download A Match Made In Heaven: #1 Resource For The Single and Saved Unmarried Christian, by Shaun Maddox

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STUDY GUIDE: Contains study questions for you to answer, designed to help you retain the valuable information you will learn from this book.

JOURNAL: This section will allow you to be able to write down and document your notes from the book as well as any direction you receive from God.

QUESTION GUIDE: Contains over 100 questions you will need to ask any potential mate. No single Christian should ever think about getting into any relationship without asking these questions.

PRAYERS and AFFIRMATIONS: Contains specific prayers for you based on the lessons found in this book, along with related power affirmations designed to move you in the right direction towards reaching your desired goals in your relationships and in your life.

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Sales Rank: #6228417 in Books
Published on: 2012-04-08
Original language: English
Number of items: 1
Dimensions: 9.00" h x .62" w x 6.00" l, .82 pounds
Binding: Paperback
248 pages

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0 of 0 people found the following review helpful.
Five Stars
By JWerd
Had a great devotional with this!

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