Thursday, December 29, 2011

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The Riders, by Tim Winton

Fred Scully waits at the arrival gate of an international airport, anxious to see his wife and seven-year-old daughter. After two years in Europe they are finally settling down. He sees a new life before them, a stable outlook, and a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone - he's that kind of man. The flight lands, the glass doors hiss open, and Scully's life begins to go down in flames.

  • Sales Rank: #11642854 in Books
  • Published on: 2012-07-01
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 10 Hours
  • Binding: MP3 CD

From Publishers Weekly
Australian novelist Winton's latest, in which a man takes his young daughter across Europe on a search for his missing wife, was a finalist for the Booker Prize.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
The destructive and redemptive powers of love are the focus of this new novel by Winton (That Eye, That Sky, 1987). Fred Scully has gone to Ireland, where he is restoring a dilapidated cottage and waiting for Jennifer, his wife, and their seven-year-old daughter, Billie, to arrive from Australia. But on the appointed day, Billie arrives without her mother, too traumatized to explain what happened during their last stop at Heathrow. Thus begins a mad search through Greece, Italy, France, and Holland, always just missing the elusive Jennifer. Though action-filled, this is primarily a study of the psychic price paid by an open-hearted man who loves deeply, if not wisely. The novel's strengths lie in its richly detailed settings and in the archetypal fury of its portrait of psychic dissolution. Recommended for most public libraries.?Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Winton is one of Australia's most celebrated young writers, and this novel shows why. After several years of wandering around Europe, Australian-born Scully, his wife, Jennifer, and their seven-year-old daughter, Billie, decide to settle down in a ramshackle old house in rural Ireland. Jennifer and Billie return to Australia to settle their affairs, while Scully stays behind to make the house habitable. Several months later, Scully is to meet them at Shannon Airport, but only Billie emerges from the plane. Scully sets off on an obsessive chase through their old haunts in Europe in a desperate search for this woman he realizes he's never really known. What follows is a strange me{‚}lange: it's a ghost story, but the ghosts make only two brief appearances; it's a love story in which we never meet one of the lovers; it's a picaresque journey where the sights are never described. Ultimately, though, the story charts an internal journey, as Scully plummets from the safe plateau of his simple happiness to the uncharted depths of his loneliness. A powerful, sad, but finally hopeful novel. George Needham

Most helpful customer reviews

56 of 64 people found the following review helpful.
Contrived and Implausible Stuff.
By Michael Leone
I wanted to like this book, I really did. It's an interesting premise but the book sets the reader up for something and then totally fails to deliver on it. You learn nothing that you didn't already know at the start, which is nothing.
You spend the first eighty pages or so with Scully fixing up his house in Ireland for his seven-year-old daughter and wife who are supposedly coming to meet him. Eighty pages of him scrubbing, grouting, plastering, shoveling, painting, broken by some chatty interludes with a minor character Peter Keneally. Unless you're Joyce or Nabokov or Proust there is no way to make these mundane activities compelling for eighty pages. I would have forgiven Winton at forty pages, but at eighty it's just too dull and the attempt at plot build-up totally off kilter.
Finally, the first climax comes: Scully goes to pick up his wife and child at the airport and only the child emerges from the plane. Where is his wife? We all want to know, of course, as we've spent eighty pages waiting for her and listening to Winton tell us how much Scully is looking forward to it, but his daughter won't tell him, despite the fact that Winton gives us a brief scene with the child on the airplane (which airplane is just another one of the unsolved mysteries in this book) with her mother, so we KNOW at some point the child was with her. Billie, his daughter, will never tell him, and after a while, for no reason that I can possibly discern, other than Winton's attempt to keep up the novelty of "suspense", Scully stops asking her about it. Would you do this as a parent? Wouldn't you find some way to coax this vital info out of your seven-year-old child? But I guess the info isn't so important to Winton.
Scully then decides, as though he's a private detective -- why he doesn't spend his money on a professional we'll never know, but then Winton wouldn't have a novel -- to go look for her. And he takes his daughter with him! Imagine that! A guy dragging his seven-year-old all around Europe. (Nobody in the novel even questions how abusive and unfair this is -- even after the girl suffers a vicious dog attack.) Scully flocks to Greece where he meets a variety of extremely frustrating drunks and bohemians who REFUSE to answer a question directly or provide him (or us) with any tangible information. The story at this point becomes Monty Pythonish, it's so absurd. Here is a desperate man looking for his wife and a cynical friend just toys with him: "Where is she?" "She? She?" "Come on Arthur. [...]." "Oh dear."
Winton deliberately tantalizes us with the bare bones of a thriller without giving us any of the meat such a genre requires. Why? Is he being postmodern? That could be his defense, but then why does he try so hard at being "realistic"?
Then Scully meets a woman, Irma, en route to Italy, who, based ona photo she plucks from his wallet, claims she saw his wife at a hotel in Greece with another woman. Aha, the reader says. Finally, a morsel of information -- we're halfway through the book now -- might be given. Another false lead. Scully doesn't believe her, I guess because Irma's a bit of a floozy, and so he hardly probes into the idea of his wife being with a woman, hardly probes into any idea at all and yet insists on going from city to city of his expat past with his daughter. He refuses to pack it in.
Other coincidences abound that leave you and the characters NOWHERE and with NO ANSWERS. Scully finds himself a murder suspect in Greece, but he flees before any authority has a chance to apprehend him. Why this intrigue? An attempt to keep the pages turning, I guess. A telegram is sent to an Amex office in Florence, purportedly from his wife, telling him to meet him in Paris. She doesn't show. Was it a hoax? Why doesn't she come? Don't expect answers.
I found this book to be contrived, implausible, and in the end, utterly frustrating. Scully's relationship with his wife, with his past, who he thought she was, who he thinks he is, are not remotely explored, not even superficially a la Paul Auster, and are certainly not dramatized. Scully's entire "voyage" has no point, no catharsis, no resolution. It's a big shaggy dog story.
There are strengths: some of the prose is brisk and effective, the secondary characters are quite good and memorable, especially Peter Keneally and Irma, etc. The dialogue is top-notch, and unlike the story, real.
It just fails to add up to a story.

30 of 35 people found the following review helpful.
The unknowability of the human heart
By A Customer
Tim Winton's "The Riders", a Booker Prize nominee, is one of the most impressive novels I have read all year. It is a brilliantly crafted and expertly executed literary achievement by one of Australia's most promising modern young writers. Preparing to start a new life with his wife Jennifer and young daughter Billie in Ireland, Scully's life is blown apart when he goes to the airport to meet his family but finds only Billie and no message from his missing wife. With Billie in tow, he travels to Greece, France and the Netherlands in search of Jennifer but unbeknown to himself begins a journey of self discovery that will alter the course of his life in ways he never envisaged. The Scully you meet in the first few chapters, giddy with happiness and anticipation as he toils to make habitable a ramshackle old place he has bought to begin a new life with his family, is so "up" and vibrant a life force, you feel a palpable sense of hurt watching his slide downhill. But redemption awaits around the corner. While Jennifer, a shadowy figure, remains an enigma, her disappearance forces Scully to come to terms with feelings of betrayal and to recognise that it is perhaps impossible to truly know another human being. The unknowability of the human heart, arguably the novel's central theme, is powerfully captured in the recurring image of riders on white horses, all spendiferously dressed, but still and silent and oblivious to all as they line up for parade in the night. The gradual role reversal we witness in the adult-child relationship between Scully and Billie only deepens the sense of pathos evoked by new circumstances as they unfold. Billie, quiet and uncommunicative, but who proves ultimately to be the quicker learner of life's lessons, ends up taking charge. She quite literally controls the purse strings by the end of the story. Winton's language is colourful and he uses imagery to dazzling effect. His minor characters (eg, Irma, Alex and Pete) are also memorable. They remain sharply etched in our minds long after they have been written out of the plot. Irma, arguably Scully's saviour, may be a damaged soul but she possesses the essence of humanity absent from the sophisticated but calculating Jennifer. "The Riders" is such a rare and haunting beauty of a novel I can only recommend other readers to take their time enjoying it. Richly deserving of its Booker Prize award nomination. Go get it !

15 of 16 people found the following review helpful.
What the Dickens?!
By katrina kelshall
Now I would hate to rubbish Tim Wintons latest tome outright because frankly, it was a compelling read. I couldn't put it down till I had turned the last page, this is true. However this urgency was inspired more by my desperation to get the tale of doom and gloom over and done with, then out of a desire to gallop along with the protagonist to an enlightening conclusion.
Wintons novel is no less then a Victorian tale of melodrama and sentimentality. Charlie boy would have been proud! The protagonist -- Scully, is introduced as a pathetic, doting husband, all too earnest and well intentioned. We know from the start that he is a victim having been abandoned by his wife to bring up little daughter Billy (echoes of Oliver, little Dorrit and poor Joe haunt her characterisation) in a ruined Irish cottage. The novel follows his frantic scramble across Europe searching for his illusive spouse with little Billy knocking along behind with resolute maturity. Clearly she is the real victim and one might even be inspired to feel sympathy for her if it weren't for the overwhelming metaphors and allegories and several lashings of pathos.
Everything that can happen to this desperate pair, does happen, till the reader is simply overloaded and exasperated. Scully is quite the anti hero -- with his disfigured face, wounded eye and scarred builders hands. Co incidentally Billies favourite comic is Victor Hugos' 'Hunch Back of Notre Dame'. It is hardly surprising then that on a cold Christmas night in Paris, Scully (drunk and penniless) is persuaded to take refuge in the Cathedral by his pleading daughter? Bells tolling about their heads...
The laboured metaphors plod through the body of the book till at the last moment what better symbol to sum up failure then the proverbial sinking ship.
By this stage I was crying for mercy!
Now to be fair to Charles Dickens who is one of the great classical writers, there is a place for Victorian Melodrama -- even today. What surprises me is that The Riders was short listed for the Booker Prize in 1995. I find it astounding when you see how much intelligent, sensitive, modern literature goes unnoticed in the marketplace today, that The Riders should be singled out for such praise.
My opinion of the Booker Prize has waned somewhat I fear.

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Sunday, December 25, 2011

[B702.Ebook] Ebook Download Excel Statistics: Step by Step, by Stephanie Glen

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Excel Statistics: Step by Step, by Stephanie Glen

A comprehensive guide to using Excel for elementary statistics. Includes over 60 functions for Excel 2007-2013, from basic descriptive statistics to hypothesis testing.
Topics include: Range, Mean, Mode, Median, Interquartile Range, Standard Error, the Data Analysis Toolpak, Skewness, Kurtosis, finding samples, T-Tests, Z-Tests, ANOVA, regression and dozens more. Stephanie Glen has taught college-level statistics since 2007 and is the author of the popular statistics help website, StatisticsHowTo.com.

  • Sales Rank: #1346678 in eBooks
  • Published on: 2014-02-28
  • Released on: 2014-02-28
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
A total package!
By Arthur D. Schwartz
Stephanie Glen's Excel Statistics: Step by Step is a valuable tool and a real confidence-builder for any beginning statistics student or anyone who wants to learn how to use Excel's statistical functionality. She methodically explains each function and application so that even the beginning student can get a handle on processing complex calculations that Excel handles with ease. The author explains that while Excel is a great spreadsheet, it is not the ideal or most advanced program for statistical analysis. However, she points out that Excel certainly beats the hefty cost of more advanced statistical software packages that are well outside the price range of what most students and non-professionals are willing to spend. With this book, Glen shows you how to maximize the value of Excel for statistics.

This book is really two books in one because it explains step-by-step the functionality for Excel 2013, and Excel 2007 thru Excel 2010 in two separate sections. And the highly detailed index points the user to the applicable pages where functionality diverges in the older and newer additions of Excel.

As someone who is inexperienced in statistics, I can highly recommend this book not only for its exceptional clarity and patient, methodical explanation on how to use Excel for statistical applications, it is also a very good introduction to basic stat concepts. Basic concepts such as range, mode, median, mean and standard deviation (and sample variance) are initially discussed. Then, more advanced topics are gradually introduced including sample testing and comparisons. The author explains "z tests" that compare the means of two sample datasets, "t-tests" that compare the before and after results of statistical comparisons, and comparisons of datasets with equal and unequal variances (i.e. spread from the standard deviation). After laying a foundation for using and analyzing basic stat concepts in Excel, the author moves on to discuss more advanced subjects such as regression analysis that can be used for forecasting and modeling, and other topics that are addressed in stat classes such as percentile rankings, moving averages, and Fourier Analysis ("a useful tool for studying phenomena like sound or neural pathways.")

Demonstrations on using Excel for creating graphic representations of your statistical outcomes are another fine touch in a highly worthwhile tool for any aspiring student of statistics. But there is a hidden bonus that you get when you begin to read and work with this book. The author's website--referenced in the book, is a true companion to Excel Statistics: Step by Step and will help sharpen your interest in statistics. In addition to articles and videos (see her YouTube channel) that further exemplify the topics discussed in the book, Stephanie Glen's blog steps outside the box a bit and ventures into unexpected areas such as "Even physicians don't understand statistics" and "Math and Art Meet Statistics." Taken together, this book gives you a total package!

2 of 2 people found the following review helpful.
Didn't know I could do so much with Excel
By Chloe H
Microsoft Excel has long been my favorite computer program: as a Merchandising major, Excel is very necessary in completing any number of financial reports or analyses. Statistics in Excel, however, was a daunting and new task for me. Luckily, I happened upon this book and thought I'd give it a try to help me deliver my statistical analyses better using Excel.

This book was VERY helpful in my use of Excel 2007 since I have always used 2003 in the past, and since I've gotten 2007 I've had some confusion. It gives step-by-step, helpful instructions so you can't possibly get lost - and believe me, if anyone could I could! It even helps you make the professional-looking graphs that set your worksheets and reports apart from your peers. After getting this book, I love using Excel in my work and school even more and feel better equipped to deal with the statistics work that's coming my way.

1 of 1 people found the following review helpful.
Very helpful!
By Stuart King
I used to use Microsoft Excel extensively in a previous job. After that, my skills deteriorated due to lack of practice. I attempted to use the Office 2010 to do something I had usually easily done before with 2003, but the new version was significantly different. I was lucky to have found this little book. It solved my problems and in about 10 minutes. With this Excel quick guide, it was a piece of cake to understand the new version. It is well worth the price.

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[M305.Ebook] PDF Download Picturesque California: The Rocky Mountains and the Pacific Slope; Two Volume Set, by John Muir

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Picturesque California: The Rocky Mountains and the Pacific Slope; Two Volume Set, by John Muir

  • Published on: 1888
  • Binding: Leather Bound

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Monday, December 19, 2011

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Foster McFee dreams of having her own cooking show like her idol, celebrity chef Sonny Kroll. Macon Dillard's goal is to be a documentary filmmaker. Foster's mother Rayka longs to be a headliner instead of a back-up singer. And Miss Charleena plans a triumphant return to Hollywood. Everyone has a dream, but nobody is even close to famous in the little town of Culpepper. Until some unexpected events shake the town and its inhabitants-and put their big ambitions to the test. Full of humor, unforgettable characters, surprises, and lots and lots of heart, this is Joan Bauer at her most engaging.

  • Sales Rank: #276040 in Books
  • Brand: Puffin
  • Published on: 2011-02-03
  • Released on: 2011-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .88" w x 8.63" l, .83 pounds
  • Binding: Hardcover
  • 256 pages

From Booklist
Twelve-year-old Foster McFee and her mother leave Memphis in the middle of the night, fleeing the mother’s abusive boyfriend. Foster has a severe learning disability, a pillowcase full of mementos of her dead father, and a real gift for baking. When she and her singer mother relocate to a tiny, rural West Virginia town, they discover a friendly and welcoming population of delightfully quirky characters. Foster finally learns to read from a reclusive, retired movie star; markets her baked goods at Angry Wayne’s Bar and Grill; helps tiny but determined Macon with his documentary; and encourages her mother to become a headliner rather than a backup singer, all the while perfecting her baking technique for the time when she gets her own cooking show like her TV idol, Sonny Kroll. Bauer gently and effortlessly incorporates race (Foster’s mother is black; her father was white), religion, social justice, and class issues into a guaranteed feel-good story that dodges sentimentality with humor. Readers who want contemporary fiction with a happy ending will find it here. Grades 5-8. --Debbie Carton

Review
"Foster's ebullient personality and spunk . . . convince anyone that she will be able to 'make the world a better place one cupcake at a time.'" - Kirkus Reviews

About the Author
Joan Bauer is the author of nine previous novels for young readers, among them the Newbery Honor Book,�Hope Was Here, and the Los Angeles Times Prize winner,�Rules of the Road.� She has also twice received the Christopher Award, as well as the Schneider Family Book Award and the Golden Kite Award. Joan Bauer lives in Brooklyn, New York.

Most helpful customer reviews

49 of 50 people found the following review helpful.
Cooking with Foster
By Kate Coombs
You know how some authors are so reliably good that you simply buy their next book on auto-pilot, sight unseen? Joan Bauer is on that list for me. In my experience, this author's books are always feel-good reads, without falling into the trap of being overly sentimental.

When the story begins, Foster McFee and her mother are on the run from Mom's abusive boyfriend, an Elvis impersonator. They find shelter in a small town where someone kind gives them a tow, someone else gives Mrs. McFee a job, and the tow truck people then offer them a place to stay.

As for Foster, she is incredibly talented as a self-taught young cook, especially when it comes to baking. Unfortunately, she is incredibly un-talented at reading. In short, she can't read, though she covers it up like a champion.

Now, as Foster spends the summer making connections with people like a young would-be documentary filmmaker and the actress who's hiding out from the pain of her all-too-public dumping by a big-time Hollywood flame, she finds that her secrets are coming out. Another worry is the location of a certain pillowcase that contains the few items she has remaining after her soldier father's death in Iraq.

Will this young cupcake maker be able to get in touch with her hero, TV chef Sonny Kroll? Will Miss Charleena ever come out of her house again? Will Foster's mom be recognized as having a star's voice, not a backup singer's? Will Macon ever make a documentary about the new prison down the road? Will Foster learn to read?

Quite probably!

The learning-to-read subplot resonated with me because I have a dear friend who didn't learn to read till she was 18, faking it in all 11 of the schools her drug addict mother dumped her in for 10 years running. I am happy to report that my friend went on to get her GED and graduate from high school at the age of 32.

Struggling reader Foster is such a great character. Take a look at the way she learned to cook in the first place--by falling hard for the art (initially with a friend) and working her butt off till she got it right, relying on listening and memory because she couldn't read recipes. Now Foster begins to apply this same kind of effort to the far more daunting task of learning to read. Her determination and hard work are just a couple of the many nice things about Foster. I especially like it when she does episodes of her so-far-imaginary cooking show, performing in the kitchen with both sweetness and humor.

Thank you, Joan Bauer, for giving us a girl to care about, as well as people to care about her.

Note for Worried Parents: This is listed on Amazon as a book for teens, but I thought it was perfectly appropriate for fourth through sixth graders, as well.

16 of 16 people found the following review helpful.
Persevering...one cupcake at a time
By J.Prather
Close to Famous is a nice feel good story that will hold special appeal for any 5th and 6th grader with a fondness for baking, and for any young girl who ever felt the sting of being unfairly judged. Foster is a baking whiz - what she lacks in reading ability she more than makes up for in kitchen creativity. She's still grieving over the death of her father and struggling to cope with a severe learning disability, when she and her mother are forced to flee their home to escape her mother's abusive boyfriend.

It's in Culpepper, West Virginia that Foster finds the confidence to believe in herself, to stop running away, and to face her learning disability head on. She finds people who are genuine, and wins them over with her forthright manner and her incredible cupcakes. This story is a quick read, and although it often errs on the side of over-sentimentality and predictability, any reader will be quick to find themselves cheering for Foster and her cupcakes. It's a story full of homespun humour and common sense philosophy that will firmly plant a smile on your face as you picture these characters that the author so ably spins to life.

It's always nice to read a story about a child who can overcome being labeled ("dumbest girl in Memphis") and succeed in learning the valuable lesson that we all have something important to offer the world. Lots of great lessons to be learned here both for kids who might face a learning disability of their own and also for all the kids who know someone that does. Recommended.

8 of 8 people found the following review helpful.
Rutgers University Project on Economics and Children
By Yana V. Rodgers
As a twelve-year old who could not read, Foster McFee faced quite some ridicule from other students, and even her teachers did little to hide their dissatisfaction and actually explore the nature of Foster's learning disability. So leaving Memphis and this painful stigmatism behind offered Foster some relief, even though she and her mom were fleeing from her mom's abusive boyfriend.

Their hurried escape led them to Culpepper, West Virginia, a small town with two claims to fame: a new state penitentiary that was supposed to bring new jobs to locals but did not, and an aging movie star who had gained as much notoriety for her husband's scandalous affair as for her own film achievements. These Culpepper features, together with a unique bunch of kind-hearted town folk, served as important ingredients in a sequence of events that taught Foster and her mom that they could afford to think big about their dream jobs in life.

Cleverly wrapped into this engaging story line are some important themes in economics related to public sector job creation, investments in human capital, and entrepreneurial talent. The latter shines through clearly when Foster sells her homemade cupcakes at the local diner and her reputation as an amazing baker quickly takes off. Making this substantive content so easy to digest is Joan Bauer's ability to touch a range of emotions in every chapter. This novel is definitely recommended reading.

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Wednesday, December 14, 2011

[Y135.Ebook] Ebook Someone To Love (A Westcott Novel), by Mary Balogh

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Someone To Love (A Westcott Novel), by Mary Balogh

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Someone To Love (A Westcott Novel), by Mary Balogh

The New York Times bestselling author of Only a Kiss launches a new series with the death of an earl and the revelation of a scandalous secret...

Humphrey Westcott, Earl of Riverdale, has died, leaving behind a fortune that will forever alter the lives of everyone in his family—including the daughter no one knew he had...

Anna Snow grew up in an orphanage in Bath knowing nothing of the family she came from. Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl’s guardian is interested in Anna…

Avery Archer, Duke of Netherby, keeps others at a distance. Yet something prompts him to aid Anna in her transition from orphan to lady. As London society and her newfound relatives threaten to overwhelm Anna, Avery steps in to rescue her and finds himself vulnerable to feelings and desires he has hidden so well and for so long.

  • Sales Rank: #3852 in Books
  • Published on: 2016-11-08
  • Released on: 2016-11-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.05" w x 4.25" l, .43 pounds
  • Binding: Mass Market Paperback
  • 400 pages

Review
Praise for Someone to Love

“With the first in her new Westcott series, Balogh proves once again why she is the heir apparent to Georgette Heyer’s literary crown by gifting readers with another irresistible confection composed of exquisitely nuanced characters, an impeccably crafted setting, and an abundance of dry wit.”—Booklist (starred review)

Praise for New York Times bestselling author Mary Balogh

“Mary Balogh sets the gold standard in historical romance.”—New York Times bestselling author Jayne Ann Krentz

“Today’s superstar heir to the marvelous legacy of Georgette Heyer (except a lot steamier).”—New York Times bestselling author Susan Elizabeth Phillips

“A romance writer of mesmerizing intensity.”—New York Times bestselling author Mary Jo Putney

“A superb author whose narrative voice comments on the characters and events of her novel in an ironic tone reminiscent of Jane Austen.”—Milwaukee Journal Sentinel

About the Author
Mary Balogh grew up in Wales and now lives with her husband, Robert, in Saskatchewan, Canada. She has written more than one hundred historical novels and novellas, more than thirty of which have been New York Times bestsellers. They include the Bedwyn saga, the Simply quartet, the Huxtable quintet, and the seven-part Survivors’ Club series.

Excerpt. � Reprinted by permission. All rights reserved.
***This excerpt is from an advance uncorrected copy proof***

Copyright � 2016 Mary Balogh

1

Despite the fact that the late Earl of Riverdale had died without having made a will, Josiah Brumford, his solicitor, had found enough business to discuss with his son and successor to be granted a face-to-face meeting at Westcott House, the earl’s London residence on South Audley Street. Having arrived promptly and bowed his way through effusive and obsequious greetings, Brumford proceeded to find a great deal of nothing in particular to impart at tedious length and with pompous verbosity.

Which would have been all very well, Avery Archer, Duke of Netherby, thought a trifle peevishly as he stood before the library window and took snuff in an effort to ward off the urge to yawn, if he had not been compelled to be here too to endure the tedium. If Harry had only been a year older—he had turned twenty just before his father’s death—then Avery need not be here at all and Brumford could prose on forever and a day as far as he was concerned. By some bizarre and thoroughly irritating twist of fate, however, His Grace had found himself joint guardian of the new earl with the countess, the boy’s mother.

It was all remarkably ridiculous in light of Avery’s notoriety for indolence and the studied avoidance of anything that might be dubbed work or the performance of duty. He had a secretary and numerous other servants to deal with all the tedious business of life for him. And there was also the fact that he was a mere eleven years older than his ward. When one heard the word guardian, one conjured a mental image of a gravely dignified graybeard. However, it seemed he had inherited the guardianship to which his father had apparently agreed—in writing—at some time in the dim distant past when the late Riverdale had mistakenly thought himself to be at death’s door. By the time he did die a few weeks ago, the old Duke of Netherby had been sleeping peacefully in his own grave for more than two years and was thus unable to be guardian to anyone. Avery might, he supposed, have repudiated the obligation since he was not the Netherby mentioned in that letter of agreement, which had never been made into a legal document anyway. He had not done so, however. He did not dislike Harry, and really it had seemed like too much bother to take a stand and refuse such a slight and temporary inconvenience.

It felt more than slight at the moment. Had he known Brumford was such a crashing bore, he might have made the effort.

“There really was no need for Father to make a will,” Harry was saying in the sort of rallying tone one used when repeating oneself in order to wrap up a lengthy discussion that had been moving in unending circles. “I have no brothers. My father trusted that I would provide handsomely for my mother and sisters according to his known wishes, and of course I will not fail that trust. I will certainly see to it too that most of the servants and retainers on all my properties are kept on and that those who leave my employ for whatever reason—Father’s valet, for example—are properly compensated. And you may rest assured that my mother and Netherby will see that I do not stray from these obligations before I arrive at my majority.”

He was standing by the fireplace beside his mother’s chair, in a relaxed posture, one shoulder propped against the mantel, his arms crossed over his chest, one booted foot on the hearth. He was a tall lad and a bit gangly, though a few more years would take care of that deficiency. He was fair-haired and blue-eyed with a good-humored countenance that very young ladies no doubt found impossibly handsome. He was also almost indecently rich. He was amiable and charming and had been running wild during the past several months, first while his father was too ill to take much notice and again during the couple of weeks since the funeral. He had probably never lacked for friends, but now they abounded and would have filled a sizable city, perhaps even a small county, to overflowing. Though perhaps friends was too kind a word to use for most of them. Sycophants and hangers-on would be better.

Avery had not tried intervening, and he doubted he would. The boy seemed of sound enough character and would doubtless settle to a bland and blameless adulthood if left to his own devices. And if in the meanwhile he sowed a wide swath of wild oats and squandered a small fortune, well, there were probably oats to spare in the world and there would still be a vast fortune remaining for the bland adulthood. It would take just too much effort to intervene, anyway, and the Duke of Netherby rarely made the effort to do what was inessential or what was not conducive to his personal comfort.

“I do not doubt it for a moment, my lord.” Brumford bowed from his chair in a manner that suggested he might as last be conceding that everything he had come to say had been said and perhaps it was time to take his leave. “I trust Brumford, Brumford & Sons may continue to represent your interests as we did your dear departed father’s and his father’s before him. I trust His Grace and Her Ladyship will so advise you.”

Avery wondered idly what the other Brumford was like and just how many young Brumfords were included in the “& Sons.” The mind boggled.

Harry pushed himself away from the mantel, looking hopeful. “I see no reason why I would not,” he said. “But I will not keep you any longer. You are a very busy man, I daresay.”

“I will, however, beg for a few minutes more of your time, Mr. Brumford,” the countess said unexpectedly. “But it is a matter that does not concern you, Harry. You may go and join your sisters in the drawing room. They will be eager to hear details of this meeting. Perhaps you would be good enough to remain, Avery.”

Harry directed a quick grin Avery’s way, and His Grace, opening his snuffbox again before changing his mind and snapping it shut, almost wished that he too were being sent off to report to the countess’s two daughters. He must be very bored indeed. Lady Camille Westcott, age twenty-two, was the managing sort, a forthright female who did not suffer fools gladly, though she was handsome enough, it was true. Lady Abigail, at eighteen, was a sweet, smiling, pretty young thing who might or might not possess a personality. To do her justice, Avery had not spent enough time in her company to find out. She was his half sister’s favorite cousin and dearest friend in the world, however—her words—and he occasionally heard them talking and giggling together behind closed doors that he was very careful never to open.

Harry, all eager to be gone, bowed to his mother, nodded politely to Brumford, came very close to winking at Avery, and made his escape from the library. Lucky devil. Avery strolled closer to the fireplace, where the countess and Brumford were still seated. What the deuce could be important enough that she had voluntarily prolonged this excruciatingly dreary meeting?

“And how may I be of service to you, my lady?” the solicitor asked.

The countess, Avery noticed, was sitting very upright, her spine arched slightly inward. Were ladies taught to sit that way, as though the backs of chairs had been created merely to be decorative? She was, he estimated, about forty years old. She was also quite perfectly beautiful in a mature, dignified sort of way. She surely could not have been happy with Riverdale—who could?—yet to Avery’s knowledge she had never indulged herself with lovers. She was tall, shapely, and blond with no sign yet, as far as he could see, of any gray hairs. She was also one of those rare women who looked striking rather than dowdy in deep mourning.

“There is a girl,” she said, “or, rather, a woman. In Bath, I believe. My late husband’s�.�.�. daughter.”

Avery guessed she had been about to say bastard, but had changed her mind for the sake of gentility. He raised both his eyebrows and his quizzing glass.

Brumford for once had been silenced.

“She was at an orphanage there,” the countess continued. “I do not know where she is now. She is hardly still there since she must be in her middle twenties. But Riverdale supported her from a very young age and continued to do so until his death. We never discussed the matter. It is altogether probable he did not know I was aware of her existence. I do not know any details, nor have I ever wanted to. I still do not. I assume it was not through you that the support payments were made?”

Brumford’s already florid complexion took on a distinctly purplish hue. “It was not, my lady,” he assured her. “But might I suggest that since this�.�.�. person is now an adult, you—”

“No,” she said, cutting him off. “I am not in need of any suggestion. I have no wish whatsoever to know anything about this woman, even her name. I certainly have no wish for my son to know of her. However, it seems only just that if she has been supported all her life by her�.�.�. father, she be informed of his death if that has not already happened, and be compensated with a final settlement. A handsome one, Mr. Brumford. It would need to be made perfectly clear to her at the same time that there is to be no more—ever, under any circumstances. May I leave the matter in your hands?”

“My lady.” Brumford seemed almost to be squirming in his chair. He licked his lips and darted a glance at Avery, of whom—if His Grace was reading him correctly—he stood in considerable awe.

Avery raised his glass all the way to his eye. “Well?” he said. “May her ladyship leave the matter in your hands, Brumford? Are you or the other Brumford or one of the sons willing and able to hunt down the bastard daughter, name unknown, of the late earl in order to make her the happiest of orphans by settling a modest fortune upon her?”

“Your Grace.” Brumford’s chest puffed out. “My lady. It will be a difficult task, but not an insurmountable one, especially for the skilled investigators whose services we engage in the interests of our most valued clients. If the�.�.�. person indeed grew up in Bath, we will identify her. If she is still there, we will find her. If she is no longer there—”

“I believe,” Avery said, sounding pained, “her ladyship and I get your meaning. You will report to me when the woman has been found. Is that agreeable to you, Aunt?”

The Countess of Riverdale was not, strictly speaking, his aunt. His stepmother, the duchess, was the late Earl of Riverdale’s sister, and thus the countess and all the others were his honorary relatives.

“That will be satisfactory,” she said. “Thank you, Avery. When you report to His Grace that you have found her, Mr. Brumford, he will discuss with you what sum is to be settled upon her and what legal papers she will need to sign to confirm that she is no longer a dependent of my late husband’s estate.”

“That will be all,” Avery said as the solicitor drew breath to deliver himself of some doubtless unnecessary and unwanted monologue. “The butler will see you out.”

He took snuff and made a mental note that the blend needed to be one half-note less floral in order to be perfect.

“That was remarkably generous of you,” he said when he was alone with the countess.

“Not really, Avery,” she said, getting to her feet. “I am being generous, if you will, with Harry’s money. But he will neither know of the matter nor miss the sum. And taking action now will ensure that he never discover the existence of his father’s by-blow. It will ensure that Camille and Abigail not discover it either. I care not the snap of my fingers for the woman in Bath. I do care for my children. Will you stay for luncheon?”

“I will not impose upon you,” he said with a sigh. “I have�.�.�. things to attend to. I am quite sure I must have. Everyone has things to do, or so everyone is in the habit of claiming.”

The corners of her mouth lifted slightly. “I really do not blame you, Avery, for being eager to escape,” she said. “The man is a mighty bore, is he not? But his request for this meeting saved me from summoning him and you on this other matter. You are released. You may run off and busy yourself with�.�.�. things.”

He possessed himself of her hand—white, long-fingered, perfectly manicured—and bowed gracefully over it as he raised it to his lips.

“You may safely leave the matter in my hands,” he said—or in the hands of his secretary, anyway.

“Thank you,” she said. “But you will inform me when it is accomplished?”

“I will,” he promised before sauntering from the room and taking his hat and cane from the butler’s hands.

The revelation that the countess had a conscience had surprised him. How many ladies in similar circumstances would voluntarily seek out their husbands’ bastards in order to shower riches upon them, even if they did convince themselves that they did so in the interests of their own, very legitimate children?

Anna Snow had been brought to the orphanage in Bath when she was not quite four years old. She had no real memory of her life before that beyond a few brief and disjointed flashes—of someone always coughing, for example, or of a lych-gate that was dark and a bit frightening inside whenever she was called upon to pass through it alone, and of kneeling on a window ledge and looking down upon a graveyard, and of crying inconsolably inside a carriage while someone with a gruff, impatient voice told her to hush and behave like a big girl.

She had been at the orphanage ever since, though she was now twenty-five. Most of the other children—there were usually about forty of them—left when they were fourteen or fifteen, after suitable employment had been found for them. But Anna had lingered on, first to help out as housemother to a dormitory of girls and a sort of secretary to Miss Ford, the matron, and then as the schoolteacher when Miss Rutledge, the teacher who had taught her, married a clergyman, and moved away to Devonshire. She was even paid a modest salary. However, the expenses of her continued stay at the orphanage, now in a small room of her own, were still provided by the unknown benefactor who had paid them from the start. She had been told that they would continue to be paid as long as she remained.

Anna considered herself fortunate. She had grown up in an orphanage, it was true, with not even a full identity to call her own, since she did not know who her parents were, but in the main it was not a charity institution. Almost all her fellow orphans were supported through their growing years by someone—usually anonymous, though some knew who they were and why they were there. Usually it was because their parents had died and there was no other family member able or willing to take them in. Anna did not dwell upon the loneliness of not knowing her own story. Her material needs were taken care of. Miss Ford and her staff were generally kind. Most of the children were easy enough to get along with, and those who were not could be avoided. A few were close friends, or had been during her growing years. If there had been a lack of love in her life, or of that type of love one associated with a family, then she did not particularly miss it, having never consciously known it.

Or so she always told herself.

She was content with her life and was only occasionally restless with the feeling that surely there ought to be more, that perhaps she should be making a greater effort to live her life. She had been offered marriage by three different men—the shopkeeper where she went occasionally, when she could afford it, to buy a book; one of the governors of the orphanage, whose wife had recently died and left him with four young children; and Joel Cunningham, her lifelong best friend. She had rejected all three offers for varying reasons and wondered sometimes if it had been foolish to do so, as there were not likely to be many more offers, if any. The prospect of a continuing life of spinsterhood sometimes seemed dreary.

Joel was with her when the letter arrived.

She was tidying the schoolroom after dismissing the children for the day. The monitors for the week—John Davies and Ellen Payne—had collected the slates and chalk and the counting frames. But while John had stacked the slates neatly on the cupboard shelf allotted for them and put all the chalk away in the tin and replaced the lid, Ellen had shoved the counting frames haphazardly on top of paintbrushes and palettes on the bottom shelf instead of arranging them in their appointed place side by side on the shelf above so as not to bend the rods or damage the beads. The reason she had put them in the wrong place was obvious. The second shelf was occupied by the water pots used to swill paint brushes and an untidy heap of paint-stained cleaning rags.

“Joel,” Anna said, a note of long-suffering in her voice, “could you at least try to get your pupils to put things away where they belong after an art class? And to clean the water pots first? Look! One of them even still has water in it. Very dirty water.”

Joel was sitting on the corner of the battered teacher’s desk, one booted foot braced on the floor, the other swinging free. His arms were crossed over his chest. He grinned at her.

“But the whole point of being an artist,” he said, “is to be a free spirit, to cast aside restricting rules and draw inspiration from the universe. My job is to teach my pupils to be true artists.”

She straightened up from the cupboard and directed a speaking glance his way. “What utter rot and nonsense,” she said.

He laughed outright. “Anna, Anna,” he said. “Here, let me take that pot from you before you burst with indignation or spill it down your dress. It looks like Cyrus North’s. There is always more paint in his water jar than on the paper at the end of a lesson. His paintings are extraordinarily pale, as though he were trying to reproduce a heavy fog. Does he know the multiplication tables?”

“He does,” she said, depositing the offending jar on the desk and then wrinkling her nose as she arranged the still-damp rags on one side of the bottom shelf, from which she had already removed the counting frames. “He recites them louder than anyone else and can even apply them. He has almost mastered long division too.”

“Then he can be a clerk in a counting house or perhaps a wealthy banker when he grows up,” he said. “He will not need the soul of an artist. He probably does not possess one anyway. There—his future has been settled. I enjoyed your stories today.”

“You were listening,” she said in a mildly accusatory tone. “You were supposed to be concentrating upon teaching your art lesson.”

“Your pupils,” he said, “are going to realize when they grow up that they have been horribly tricked. They will have all these marvelous stories rolling around in their heads, only to discover that they are not fiction after all but that driest-of-all realities—history. And geography. And even arithmetic. You get your characters, both human and animal, into the most alarming predicaments from which you can extricate them only with a manipulation of numbers and the help of your pupils. They do not even realize they are learning. You are a sly, devious creature, Anna.”

“Have you noticed,” she asked, straightening the counting frames to her liking before closing the cupboard doors and turning toward him, “that at church when the clergyman is giving his sermon everyone’s eyes glaze over and many people even nod off to sleep? But if he suddenly decides to illustrate a point with a little story, everyone perks up and listens. We were made to tell and listen to stories, Joel. It is how knowledge was passed from person to person and generation to generation before there was the written word, and even afterward, when most people had no access to manuscripts or books and could not read them even if they did. Why do we now feel that storytelling should be confined to fiction and fantasy? Can we enjoy only what has no basis in fact?”

He smiled fondly at her as she stood looking at him, her hands clasped at her waist. “One of my many secret dreams is to be a writer,” he said. “Have I ever told you that? To write truth dressed up in fiction. It is said one ought to write about what one knows. I could invent endless stories about what I know.”

Secret dreams! It was a familiar, evocative phrase. They had often played the game as they grew up—What is your most secret dream? Usually it was that their parents would suddenly appear to claim them and whisk them off to the happily-ever-after of a family life. Often when they were very young they would add that they would then discover themselves to be a prince or princess and their home a castle.

“Stories about growing up as an orphan in an orphanage?” Anna said, smiling back at him. “About not knowing who you are? About dreaming of your missing heritage? Of your unknown parents? Of what might have been? And of what still might be if only�.�.�. ? Well, if only.”

He shifted his position slightly and moved the paint jar so that he would not accidentally tip it.

“Yes, about all that,” he said. “But it would not be all wistful sadness. For though we do not know who we were born as or who our parents or their families were or are, and though we do not know exactly why we were placed here and never afterward claimed, we do know that we are. I am not my parents or my lost heritage. I am myself. I am an artist who ekes out a reasonably decent living painting portraits and volunteers his time and expertise as a teacher at the orphanage where he grew up. I am a hundred or a thousand other things too, either despite my background or because of it. I want to write stories about it all, Anna, about characters finding themselves without the hindrance of family lineage and expectations. Without the hindrance of�.�.�. love.”

Anna gazed at him in silence for a few moments, the soreness of what felt very like tears in her throat. Joel was a solidly built man, somewhat above average in height, with dark hair cut short—because he did not want to fulfill the stereotypical image of the flamboyant artist with flowing locks, he always explained whenever he had it cut—and a round, pleasant face with a slightly cleft chin, sensitive mouth when it was relaxed, and dark eyes that could blaze with intensity and darken even further when he felt passionately about something. He was good-looking and good-natured and talented and intelligent and extremely dear to her, and because she had known him most of her life, she knew too about his woundedness, though any casual acquaintance would not have suspected it.

It was a woundedness shared in one way or another by all orphans.

“There are institutions far worse than this one, Joel,” Anna said, “and probably not many that are better. We have not grown up without love. Most of us love one another. I love you.”

His grin was back. “Yet on a certain memorable occasion you refused to marry me,” he said. “You broke my heart.”

She clucked her tongue. “You were not really serious,” she said. “And even if you were, you know we do not love each other that way. We grew up together as friends, almost as brother and sister.”

He smiled ruefully at her. “Do you never dream of leaving here, Anna?”

“Yes and no,” she said. “Yes, I dream of going out there into the world to find out what lies beyond these walls and the confines of Bath. And no, I do not want to leave what is familiar to me, the only home I have known since infancy and the only family I can remember. I feel safe here and needed, even loved. Besides, my�.�.�. benefactor agreed to continue supporting me only as long as I remain here. I— Well, I suppose I am a coward, paralyzed by the terror of destitution and the unknown. It is as though, having been abandoned once, I really cannot bear the thought of now abandoning the one thing that has been left me, this orphanage and the people who live here.”

Joel got to his feet and strolled over to the other side of the room, where the easels were still set up so that today’s paintings could dry properly. He touched a few at the edges to see if it was safe to remove them.

“We are both cowards, then,” he said. “I did leave, but not entirely. I still have one foot in the door. And the other has not moved far away, has it? I am still in Bath. Do you suppose we are afraid to move away lest our parents come for us and not know where to find us?” He looked up and laughed. “Tell me it is not that, Anna, please. I am twenty-seven years old.”

Anna felt rather as if he had punched her in the stomach. The old secret dream never quite died. But the most haunting question was never really who had brought them here and left them, but why.

“I believe most people live their lives within a radius of a few miles of their childhood homes,” she said. “Not many people go adventuring. And even those who do have to take themselves with them. That must turn out to be a bit of a disappointment.”

Joel laughed again.

“I am useful here,” Anna continued, “and I am happy here. You are useful—and successful. It is becoming quite fashionable when in Bath to have your portrait painted by Joel Cunningham. And wealthy people are always coming to Bath to take the waters.”

His head was tipped slightly to one side as he regarded her. But before he could say anything more, the classroom door was flung open without the courtesy of a knock to admit Bertha Reed, a thin, flaxen-haired fourteen-year-old who acted as Miss Ford’s helper now that she was old enough. She was bursting with excitement and waving a folded paper in one raised hand.

“There is a letter for you, Miss Snow,” she half shrieked. “It was delivered by special messenger from London and Miss Ford would have brought it herself but Tommy is bleeding all over her sitting room and no one can find Nurse Jones. Maddie punched him in the nose.”

“It is high time someone did,” Joel said, strolling closer to Anna. “I suppose he was pulling one of her braids again.”

Anna scarcely heard. A letter? From London? By special messenger? For her?

“Whoever can it be from, Miss Snow?” Bertha screeched, apparently not particularly concerned about Tommy and his bleeding nose. “Who do you know in London? No, don’t tell me—that ought to have been whom. Whom do you know in London? I wonder what they are writing about. And it came by special messenger, all that way. It must have cost a fortune. Oh, do open it.”

Her blatant inquisitiveness might have seemed impertinent, but really, it was so rare for any of them to receive a letter that word always spread very quickly and everyone wanted to know all about it. Occasionally someone who had left both the orphanage and Bath to work elsewhere would write, and the recipient would almost invariably share the contents with everyone else. Such missives were kept as prized possessions and read over and over until they were virtually threadbare.

Anna did not recognize the handwriting, which was both bold and precise. It was a masculine hand, she felt sure. The paper felt thick and expensive. It did not look like a personal letter.

“Oliver is in London,” Bertha said wistfully. “But I don’t suppose it can be from him, can it? His writing does not look anything like that, and why would he write to you anyway? The four times he has written since he left here, it was to me. And he is not going to send any letter by special messenger, is he?”

Oliver Jamieson had been apprenticed to a bootmaker in London two years ago at the age of fourteen and had promised to send for Bertha and marry her as soon as he got on his feet. Twice each year since then he had faithfully written a five- or six-line letter in large, careful handwriting. Bertha had shared his sparse news on each occasion and wept over the letters until it was a wonder they were still legible. There were three years left in his apprenticeship before he could hope to be on his feet and able to support a wife. They were both very young, but the separation did seem cruel. Anna always found herself hoping that Oliver would remain faithful to his childhood sweetheart.

“Are you going to turn it over and over in your hands and hope it will divulge its secrets without your having to break the seal?” Joel asked.

Stupidly, Anna’s hands were trembling. “Perhaps there is some mistake,” she said. “Perhaps it is not for me.”

He came up behind her and looked over her shoulder. “Miss Anna Snow,” he said. “It certainly sounds like you. I do not know any other Anna Snows. Do you, Bertha?”

“I do not, Mr. Cunningham,” she said after pausing to think. “But whatever can it be about?”

Anna slid her thumb beneath the seal and broke it. And yes, indeed, the paper was a thick, costly vellum. It was not a long letter. It was from Somebody Brumford—she could not read the first name, though it began with a J. He was a solicitor. She read through the letter once, swallowed, and then read it again more slowly.

“The day after tomorrow,” she murmured.

“In a private chaise,” Joel added. He had been reading over her shoulder.

“What is the day after tomorrow?” Bertha demanded, her voice an agony of suspense. “What chaise?”

Anna looked at her blankly. “I am being summoned to London to discuss my future,” she said. There was a faint buzzing in her ears.

“Oh! By who?” Bertha asked, her eyes as wide as saucers. “By whom, I mean.”

“Mr. J. Brumford, a solicitor,” Anna said.

“Josiah, I think that says,” Joel said. “Josiah Brumford. He is sending a private chaise to fetch you, and you are to pack a bag for at least a few days.”

“To London?” Bertha’s voice was breathless with awe.

“Whatever am I to do?” Anna’s mind seemed to have stopped working. Or, rather, it was working, but it was whirring out of control, like the innards of a broken clock.

“What you are to do, Anna,” Joel said, pushing a chair up behind her knees and setting his hands on her shoulders to press her gently down onto it, “is pack a bag for a few days and then go to London to discuss your future.”

“But what future?” she asked.

“That is what is to be discussed,” he pointed out.

The buzzing in her ears grew louder.


2

Anna could count on the fingers of one hand the number of times she had ridden inside a carriage. Perhaps that explained one of the few memories she had of her infancy. The conveyance that drew up outside the doors of the orphanage early in the morning two days after the letter came and set every child dashing to the windows of the long dining room in which they were eating breakfast was perhaps not the grandest of equipages, but some of the girls declared that it was just like Cinderella’s coach. Even to Anna, who dreaded climbing into it, it looked far too impressive to be intended for her.

She was not to travel alone, it seemed. When she was summoned to Miss Ford’s sitting room, she was introduced to Miss Knox, a solid, gray-haired, large-bosomed woman of severe mien, who had Anna thinking of Amazons. Miss Knox had been engaged by Mr. Brumford to accompany Anna to London, since apparently it was not proper for a young lady to travel any great distance alone.

It was the first Anna had heard of being a lady. She was very thankful for the company, however.

A few minutes later, out in the hall, Miss Ford shook hands firmly with Anna while Roger, the elderly porter, lifted her bag into the carriage. It was neither a large nor a heavy bag, but what was there to pack, after all, but her spare day dress and her Sunday dress, her best shoes, and a few sundries? A number of the girls, released temporarily from the regular routine of their day, rushed about her to hug her and shed tears over her and generally behave as though she were going to the ends of the earth in order to face her own execution. Anna shed a few tears of her own, for she shared their feelings. A few of the boys stood at a safe distance, where they were in no danger of being accidentally hugged, and beamed at her. She suspected that they smiled, the rascals, because they hoped her going would mean no school today.

“I will be gone for a mere few days,” she assured them all, “and will return with so many stories of my adventures that I will keep you up one whole night. Be good in the meanwhile.”

“I will pray for you, Miss Snow,” Winifred Hamlin promised piously through her tears.

As the carriage pulled away from the curb a couple of minutes later, children crowded the windows of the dining room again, smiling and waving and weeping. Anna waved back. This all felt alarmingly final, as though she would never return. And perhaps she would not. What was it about her future that needed to be discussed?

“Why has Mr. Brumford summoned me?” she asked Miss Knox.

But the woman’s face remained blank of all expression. “I have no idea, miss,” she said. “I was hired from the agency to come here and fetch you and see you safely delivered, and that is what I am doing.”

“Oh,” Anna said.

It was a long journey, with only a few brief stops along the way for refreshments and a change of horses and one night spent at an uncomfortable, noisy inn. Throughout it all Anna might as well have been alone, for Miss Knox did not utter more than a dozen words, and most of those were directed to other people. She had been hired to accompany Anna, it seemed, not to provide any sort of companionship.

Anna might have been intolerably bored if her heart had not been palpitating with a nervousness bordering on terror and if her mind had not still been spinning quite beyond her control. Everyone at the orphanage had learned of the letter, of course, and everyone had heard it read aloud. There had been no point in trying to keep its contents private even if Anna had felt so inclined. If she had done so, Bertha would have recounted what she recalled with heaven-knew-what embellishments, and the most hair-raising rumors would have been shooting about the home in no time at all.

Everyone had had an opinion. Everyone had had a theory.

The one most likely to be true was that Anna’s benefactor, whoever he or she was, was ready to turn her loose upon the world and withdraw the monetary support she had relied upon for the past twenty-one years. He—or she—did not have to summon her all the way to London in order to inform her of that, though. But perhaps he had found her employment there. What could it be? Would she agree to take it and begin a new phase of her life, cut off from everyone she had ever known and the only home she could remember? Or would she refuse and return to Bath and try to subsist on her teacher’s wages? She would have a choice, she assumed. The letter had, after all, stated that her future needed to be discussed. A discussion was a two-way communication.

She wondered if there were enough coins in her purse for a ticket home by stagecoach. She had no idea what the fare was, but she had a little money of her own—a very little—and Miss Ford had pressed a whole sovereign into her palm last night despite her protests. What if it was still not enough? What if she found herself stranded in London for the rest of her life? The very thought was enough to make her feel bilious, and the state of the road over which they were traveling did nothing to settle her stomach.

A few times she tried determinedly not to think. She tried instead to marvel at the unfamiliar sensation of being in a carriage, of actually leaving Bath, climbing the hill away from it until it was no longer in sight behind her when she peered back. She tried to marvel at the passing countryside. She tried to think of this experience as the adventure of a lifetime, one she would remember for the rest of her life. She imagined how she would tell the children at the orphanage about it—about the tollbooths and the villages through which they passed; about village greens and taverns with quaint names painted upon their swinging signs and small churches with pointed steeples; about the posting inns at which they stopped, the food they ate there, the lumpiness of the bed in which she tried to sleep, the bustle of hostlers and grooms in the innyards; the deep ruts in the road that rattled the very teeth in one’s head and even occasionally made Miss Knox look less like a sphinx.

Soon enough, however, her mind would spin back to the great, frightening unknown that lay ahead of her. What if she was about to meet the person who had taken her to the orphanage all those years ago and paid to keep her there ever since? Would it be the man with the gruff voice? What if she really was a princess and a prince was waiting to marry her now that she was grown up and out of danger from the wicked king—or witch!—from whom she had been carefully hidden all these years? The absurd thought made Anna smile despite herself and almost laugh aloud. That had been nine-year-old Olga Norton’s theory after she had listened to Anna’s letter the night before last. It had been eagerly espoused by several of the other little girls and soundly ridiculed by most of the boys.

All she could do, Anna thought with great good sense for surely the two hundredth time in the last few days, was wait and see. But that was more easily said than done. Why had the summons come through a solicitor? And why was she traveling in a private carriage when stagecoach tickets must cost far less? And why had she been provided with a chaperon? What was to happen when she arrived in London?

What did happen was that the carriage kept driving and driving. London was endlessly large and endlessly dreary, even squalid, for what seemed like miles and miles. So much for the story of Dick Whittington and the gold-paved streets of London town, though admittedly it might all look more inviting in full daylight instead of the dusk that was falling upon the outside world.

But the carriage did stop eventually outside a large, imposing stone building that turned out to be a hotel. They stepped inside a reception hall, and Miss Knox spoke with a man in uniform behind a high oak desk, was handed a large brass key, and led the way up two broad, carpeted flights of stairs and along a corridor before setting the key in the lock of a door and opening it wide. There was a spacious, square, high-ceilinged sitting room beyond it with doors on either side, each standing open to show a bedchamber within. There was a lamp alight in each of the three rooms, a great extravagance to Anna’s weary mind. It was a huge improvement over last night’s accommodations.

“I am to stay here?” she asked, moving sharply to one side when she realized that another man in uniform had come along behind them, her bag and Miss Knox’s in his hands. He set them down, looked expectantly at Miss Knox, who ignored him, and withdrew with a scowl.

“The bigger room on the left is yours, miss,” the older woman said. “The other one is mine. Dinner will be fetched up soon. I shall go and wash my hands.”

She disappeared into the bedchamber to the right, taking her bag with her. Anna carried hers into the other room. It was at least three times larger than her room at the orphanage. The bed looked wide enough to accommodate four or five sleepers lying comfortably abreast. There was water in the jug on the washstand. She poured some into the bowl and washed her hands and face and combed her hair. She ran her hands down her dress, which was sadly wrinkled after two days of sitting.

By the time she stepped back into the sitting room, two servants had come to set the table with a crisp white cloth and gleaming china, glass, and cutlery, and to deposit several covered tureens of something hot and steaming and delicious smelling. At least, Anna assumed it would smell delicious if only she were hungry and not so desperately tired.

She wished with all her heart that she was back at home.

Having a superlatively efficient secretary, Avery, Duke of Netherby, mused, was both a good thing and occasionally a bothersome one. On the one hand, one came to rely upon him to conduct all the troublesome and trivial business of one’s life, leaving oneself free simply to live and enjoy it. On the other hand, there was the odd occasion when one found oneself forced into something tedious that might have been avoided if one had been left to one’s own devices. It did not happen often, admittedly, for Edwin Goddard was well acquainted with what might be expected to bore his employer. This, however, was one of those infrequent occasions.

“Edwin,” Avery said with a pained sigh late one afternoon as he appeared in the doorway of the secretary’s office. “What is this, pray?”

He held aloft between a thumb and forefinger a card Goddard had left on the library desk with two other memos, one reminding His Grace of a ball he would wish to attend tonight because the Honorable Miss Edwards was to be there, and the other informing him that a pair of new boots for which he had been fitted last week was awaiting his pleasure at Hoby’s whenever he chose to go and try them on to make sure they fit like the glove that was always said to be so comfortable upon one’s foot. If it were really so, Avery mused, then it was strange that men persisted in wearing boots rather than gloves. But his thoughts had digressed.

“Mr. Josiah Brumford has requested an hour of your time here tomorrow morning, Your Grace,” Goddard explained. “Since he is the Earl of Riverdale’s solicitor and his lordship is your ward, I assumed you would be happy to grant his request. I have given instructions that the rose salon be prepared for ten o’clock.”

“Happy,” His Grace repeated faintly. “My dear Edwin, what a very peculiar choice of word. You have indeed mentioned here that this, ah, audience is to be granted in the rose salon at the time you stated. I can read. But you omitted a reason for the choice of room. The rose salon seems rather a large chamber for just one solicitor and my humble self to rattle about in. He is not bringing along with him any large sort of retinue, is he? The other Brumford, perhaps, or some of the “& Sons”? Or the whole lot of them? That would be too, too much, I am moved to inform you.”

“Mr. Brumford mentioned in his letter, Your Grace,” Goddard said, “that he has taken the liberty of requesting the attendance too of more persons, including the earl and the countess, his mother, and other members of his family.”

“Has he indeed?” Avery’s fingers curled about the handle of his quizzing glass as he strolled toward his secretary’s desk, dropped the memo upon it, and held out his hand. Goddard eyed it for a moment and then rummaged through a neat pile of papers on one corner of his desk in order to produce Brumford’s letter. It was as pompous as the man who had penned it, but it did indeed request the honor of addressing His Grace of Netherby at Archer House at ten o’clock tomorrow morning upon a matter of grave importance. It also begged His Grace’s pardon for having taken the liberty of inviting his ward and his lordship’s mother and sisters as well as other close family members, including Mr. Alexander Westcott, Mrs. Westcott, his mother, and Lady Overfield, his sister.

Avery returned the letter to his secretary without comment. Three weeks had passed since Brumford had stridden from Westcott House like a crusader bent upon the mission of sending forth his most trusted investigator to run one bastard orphan to earth in order to press riches upon her in return for her written promise never to appeal to Harry for more. Had not the arrangement been that Brumford report privately to Avery when the woman was found in order to discuss the exact sum to be settled upon her?

Was this meeting about something else altogether?

It had better be, by thunder, if Brumford did not wish to find himself strung up from the nearest tree by his thumbs. It had been the countess’s express wish that Harry and Camille and Abigail never know of the existence of their father’s by-blow. And why the devil had Alex Westcott been invited? And his mother and his sister? They were cousins of Harry’s—second cousins, to be exact, with maybe a remove or two. Westcott was also the heir to the earldom until such time as Harry settled down to marriage and the dutiful production of an heir of his own body and a couple of spares to be on the safe side. And who were the other close family members? What was this meeting? Had some secret will been unearthed after all?

Avery left the room and went in search of the duchess, his stepmother. She would be interested to know that they were to expect her sister-in-law and nephew and nieces tomorrow, as well as her cousins and other unidentified relatives. She had a mother and two sisters in town. Though perhaps she had received her own personal invitation and already knew. She would certainly wish to attend the meeting, as no doubt would Jess—Lady Jessica Archer, his half sister, who at the age of seventeen and three-quarters already had all ten toes lined up firmly at the threshold of the schoolroom doorway, ready to bolt free the very moment she turned eighteen. This time next year, perish the thought, he would probably be squiring her about to all the parties and balls and breakfasts and picnics and whatnots at which the great marriage mart conducted its business during the Season.

She might as well attend the meeting, he thought, since it was to be here in her own home. He looked into the drawing room and found her there with her mother, admiring a pile of brightly colored embroidery silks they must have just purchased. It would be hard to keep Jess away tomorrow anyway when she was informed that Abigail was coming. It would be well nigh impossible when she knew Harry was to be here too. She did not, Avery hoped, see him as future husband material since he was her first cousin, but she did worship and adore at the altar of his youthful good looks. However, her presence or absence would be for her mother to decide. Thank heaven for mothers.

A matter of grave importance, Brumford had written. The man ought to be on the stage. He really ought.

Both ladies looked up and smiled at him.

“Oh, Avery,” Jessica said, hurrying toward him, her face brightly eager, her hands clasped to her bosom, “guess who is coming here tomorrow morning.” But she did not wait for him to participate in the game she had set up. “Abby. And Harry. And Camille.”

In order of importance, it seemed.

“Brumford has a decided flair for the dramatic,” Alexander Westcott remarked to his mother and his sister as they dined together at home that same evening. “This gathering cannot be for the reading of Riverdale’s will. There apparently was no will. Besides, the solicitor would not have chosen Archer House for such a reading even if Netherby is Harry’s guardian. Why our presence is necessary for whatever the business happens to be, heaven knows. I suppose we had better put in an appearance, however.”

“I have not seen either Louise or Olivia since the funeral,” his mother said, naming the Duchess of Netherby and the Countess of Riverdale. “I shall enjoy a chat with them. And if we are invited, perhaps Cousin Eugenia and Matilda and Mildred will be there too.” Cousin Eugenia was the Dowager Countess of Riverdale, the late earl’s mother, the other two ladies her eldest and youngest daughters.

“And you must admit, Alex,” Elizabeth, Lady Overfield, said with a twinkle in her eye, “that a mystery is always intriguing. You at least are Harry’s heir. Mama and I are not closely related to Harry.”

“Your papa and Harry’s papa were first cousins,” her mother reminded them, “though they were never close. Your papa detested the man. So did everyone else, it seemed to me, and that probably included Viola, though she was ever the loyal wife.”

“Being Harry’s heir is not something I covet,” Alexander said. “Perhaps I am peculiar, but I am perfectly happy with who I am and what I have. He cannot be expected to marry soon, of course. He is not even of age yet. But I devoutly hope he marries young and fathers at least six sons in as many years to put the succession beyond doubt. In the meanwhile I hope he remains in perfect health.”

Elizabeth laughed and reached out to pat the back of his hand. “It is not peculiar at all,” she said. “You have worked hard to restore Riddings Park to prosperity after Papa ran it into the ground—pardon my bluntness, Mama—and you have succeeded and can be proud of yourself. You are much respected there, even loved, and I know you are contented. I know too that you are not overfond of being dragged to London just because it is the Season and you knew Mama and I fancied sampling some of the frivolities it has to offer this year. You did not really need to come with us, but I appreciate the fact that you did, and that you have leased this very comfortable house for us.”

“It was not entirely for your sakes I came,” he admitted after sipping his wine. “Mama is always urging me to live a little, as though being home on my own estate, which I love, were not living. But occasionally even I feel the urge to set aside my manure-encrusted boots and don dancing shoes instead.”

Elizabeth laughed again. “You dance well,” she said. “And you invariably cause a stir among the ladies whenever you set foot inside a ballroom, for you are always the most handsome gentleman in attendance.”

“Is there any hope,” their mother asked, looking at her son in some despair as though this were not the first or even the twenty-first time she had posed the question, “that somewhere among all those ladies you will find a bride, Alex?”

He hesitated before answering, and she looked hopeful enough to set down her knife and fork across her plate and lean slightly toward him.

“Yes, actually,” he said. “It is the next logical step for me to take, is it not? Riddings is prospering at last, everyone dependent upon me is well looked after, and the only thing lacking to make all secure is an heir. My next birthday is my thirtieth. I came here with you and Lizzie, Mama, because I cannot like either of you being here without a man to lend you countenance and offer escort wherever you wish to go, but I came too on my own account to�.�.�. look about me, if you will. I am not in any hurry to make a choice. It may not even happen this year. But I do not need to marry money, and I am not so highly ranked that I am obliged to look high for a bride. I hope to find someone who will�.�.�. suit me.”

“Someone with whom to fall in love?” Elizabeth suggested, leaning slightly to one side so that the footman could refill her water glass.

“I shall certainly expect to feel an affection for the lady,” he said, flushing slightly. “But romantic love? Pardon me, Lizzie, but is that not for females?”

His mother tutted.

“Like me?” Elizabeth sat back in her chair and watched him eat.

“Ah.” His fork remained suspended halfway to his mouth. “I did not mean it that way, Lizzie. I did not mean to offend.”

“And you did not,” she assured him. “I fell head over heels in infatuation with Desmond the moment I set eyes upon him, silly girl that I was, and called it love. It was not love. But the experience of a bad marriage has not made a cynic of me. I still believe in romantic love, and I do so hope you discover it for yourself, Alex. You deserve all that is good in life, especially after all you have done for me.”

Sir Desmond Overfield, her late husband, had been a charming man but a heavy drinker, the sort who turned uglier the more he drank and became verbally and physically abusive. When Elizabeth had fled back to her childhood home on one occasion, her face scarcely recognizable beneath all the swelling and bruises, her father had sent her back, albeit reluctantly, when Desmond came for her, with the reminder that she was now a married lady and her husband’s property. When she had fled there again two years later, after her father was dead, this time with a broken arm as well as bruises over most of her face and body, Alex had taken her in and summoned a physician. Desmond had come again to claim his property, sober and apologetic, as he had been the first time, but Alex had punched him in the face and broken his nose and dislodged a few of his teeth. When her husband had returned with the nearest magistrate, Alex had blackened both his eyes and invited the magistrate to stay for luncheon. Desmond had died less than a year after that, stabbed in a tavern brawl in which ironically he had been only a spectator.

“I will choose a bride with whom I can expect to be comfortable and even happy,” Alex promised now, “but I shall ask your opinion, Lizzie, and Mama’s too before making any offer.”

His mother gave a little shriek of horror. “You will not marry just to please your mother,” she said. “The very idea.”

“Oh, you will do no such thing,” Elizabeth protested simultaneously.

He grinned at them. “But you will both have to share a house with my wife,” he said. “All this is purely hypothetical, however, at least for now. I have talked and danced with a number of ladies in the couple of weeks since the Season began, but none have tempted me to courtship. I am in no great hurry to make a choice. In the meantime, we have a soiree to attend tonight and had better be on our way within the half hour. And tomorrow we will discover what earth-shattering disclosures Harry’s solicitor has to make that necessitate our presence. I am sure neither of you is under any obligation to go with me, though.”

“But Mama and I have been invited too,” Elizabeth reminded him. “I would not miss it for worlds. Besides, I have not seen any of the cousins since the funeral either, and their enforced seclusion must be quite irksome to them, especially when the Season is tempting them with so many entertainments. Camille must be hugely disappointed at having been forced to postpone her wedding to Viscount Uxbury, and poor Abigail must feel even worse done by at having to wait until next year to make her come-out when she is already eighteen. Perhaps we will see young Jessica too since, this meeting is to be at Archer House. Oh, and I must confess, Alex, that I look forward to seeing the Duke of Netherby. He is so deliciously�.�.�. grand.”

“Lizzie!” Alexander looked pained as he nodded to the footman to remove their plates. “He is nothing but bored artificiality through to the very heart. If he has one.”

“But he does it all with such magnificent flair,” she said, the twinkle back in her eyes. “And he is so very beautiful.”

“Beautiful?” He looked thunderstruck before relaxing and shaking his head and chuckling. “But the word does fit, I must confess.”

“Oh, it does,” their mother agreed. “If I were but twenty years younger.” She sighed and fluttered her eyelashes, and they all laughed.

“He is the very antithesis of you, Alex,” Elizabeth said, patting his hand once more while they all got to their feet. “Which fact must be an enormous relief to you, since you really do not like him one little bit, do you?”

“The antithesis?” he said. “I am not beautiful, then, Lizzie?”

“Absolutely not,” she said, linking her arm through his while he offered the other to his mother. “You are handsome, Alex. Sometimes I think it is unfair that you got all the stunning good looks—from Mama’s side of the family, of course—while I have never been anything but passably pretty. But it is not just your looks that disqualify you from being called beautiful. You never look bored or haughty, and you definitely have a heart. And a conscience. You are a solid citizen and a thoroughly worthy gentleman.”

“Good God,” he said, grimacing. “Am I really such a dull dog?”

“Not at all,” she said, laughing. “For you have the looks.”

He was, in fact, the quintessential tall, dark, handsome man—with an athletic, perfectly toned body and blue eyes to boot. He also had a smile that would melt frozen butter, not to mention female hearts. And, yes, he had a firm sense of duty to those dependent upon him. Elizabeth, four years his senior, was beginning to recover some of the bloom she had lost during her difficult marriage, though she was neither as dark nor as strikingly good looking as her brother. She did, however, have an even temper, an amiable countenance, and a cheerful disposition that had somehow survived six years of disappointment and anxiety and abuse.

“Lizzie!” her mother exclaimed. “You have always been beautiful in my eyes.”

Most helpful customer reviews

17 of 17 people found the following review helpful.
Good Start to Exciting New Series!
By MarySueDies
Reviewed for marysuedies.com

Mary Balogh is the queen of regency romance. Her Bedwyn series, in my opinion, is the standard for modern day historical romance. Balogh manages to write romances without evil villains, a bunch of misunderstandings, or unbelievable circumstances. She just writes beautiful loves stories.

Balogh’s new Westcott series is going to be fabulous. The premise is intriguing and original. The late Earl of Riverdale has died and his solicitor has unearthed a secret marriage and a single legitimate daughter, Anna. Anna has grown up in an orphanage where she later became a teacher. At first Anna is thrilled to learn that she has a family, but when confronted with the Earl’s now illegitimate children and wife, Anna quickly realizes that she is once again, alone.

Avery, the Duke of Netherby, is the appointed guardian of the new Earl of Riverdale and decides he should also be responsible for helping Anna assimilate into the London ton. Avery is composed, detached, and a little aloof. Avery admires Anna’s strength and fortitude against her new “family” and Anna comes to see him as her savior in a turbulent new world.

There has been some disagreement and healthy discussion over a scene in Someone to Love involving a “Chinese gentleman” without a name. Before continuing with my review I wanted to just say that while I understand other readers’ reactions, I personally found nothing wrong with the scene. It shouldn’t matter but I guess it does, my family is bi-racial Asian/Caucasian, although not Chinese, and I found nothing offensive. I ran it by my sister as well and she agreed with my thoughts, you may feel differently.

Someone to Love is beautifully written and the love story between Avery and Anna is slow and sweet and everything that you would expect from a Mary Balogh romance. I highly recommend that you pick it up because I have high hopes for the series.

The reason that this isn’t an A+ review is two fold. First, there is a lot of set up. It is the first book in the Westcott series and set up is necessary, but the story drags at parts and the romance often seems to take a back seat to the various character introductions. Everything involving Avery and Anna is lovely but we don’t get quite enough of them.

Secondly, Anna spends a lot of the book (which is already too much set up and not enough romance) writing letters back to her friend, Joel. These letters, for the most part, don’t give the reader any new information, they just rehash everything that has already happened. They felt a little like filler to me and I mostly skimmed them.

Overall Someone to Love is a nice read. look forward to the upcoming books in the series.

9 of 9 people found the following review helpful.
2.5 Avoid his feet and fingers!
By lark
This wasn't unpleasant and It's been a long time since I've read such a *quiet* novel. Hushed actually.

This was no Bedwyns or Survivors and it certainly didn't have me rushing to turn pages to find out what would happen next. The pages were laden with Anna's numerous newly-found aristocratic relatives planning to prepare her to meet the ton. Whew, there were a lot of characters floating around!

On the other hand, the Duke of Netherby spent much of the story consumed by ennui and affectations. This was a facade o/c but I was soon consumed by ennui too. Then there were his martial arts exploits...sigh.

The romance was just not there. No chemistry, no nothing, there had been little interaction between them until they were suddenly married. The ending was abrupt (which was perfectly fine with me.)

This novel was slow and bizarre, in my opinion.

4 of 4 people found the following review helpful.
Kung Fu Duke for Newly Minted Heiress
By Penny Black
For a kickoff to a new series, this book was surprisingly humdrum. The setup for the story arc and introduction to the lengthy cast of characters was expected, but the dearth of plot and romance development was not. What's more, Balogh wrote a similar story in One Night for Love (Bedwyn Saga) and did a much better job with it. In the end, though, the disappointing lack of originality didn't bother me as much as the hero's character did.

There were two problems with the hero's acquiring the martial arts skills he was supposed to possess. The first issue was with his mysterious Chinese gentleman. At the beginning of the nineteenth century, Asia in general and China, in particular, was virtually closed to foreigners. Moreover, only monks and the soldiers, who trained with them from a very young age, practiced martial arts in the monasteries. What were the odds of the hero encountering a Chinese monk, practicing martial arts in an alley in Berkshire, when the few Chinese, living in Britain at the time were sailors and traders?

But, even supposing that the hero overcame these odds and met this Chinese gentleman, it still leaves the issue of his age at the start of his training. If the meeting occurred two years before the hero graduated from Eton, he would have been sixteen years old. Considering such a late start, he would have had to train for hours every day, and even then he would not be able to continue his conditioning on his own after only two years under his master's tutelage. Even if he had had an innate ability for martial arts, there simply wasn't enough time for him to develop it.

As for the heroine, she was quite unexceptionable, if a bit naive. Considering the circumstances, I thought she fared better than she could have, even if it were ridiculous for her to expect her brother and sisters to accept her as quickly as the rest of her paternal connections. The transformation of the relationship between the two leading characters took me by surprise, but it probably shouldn't have. The romance had to come second to the drama of the inheritance and the subsequent fallout, at least in the beginning. Even when their relationship became the focus of the story, there wasn't much standing in the way of their happiness, and what was, got resolved before I could sink my teeth into it.

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